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I’ve taught encaustic workshops for many years using pancake griddles as the hot pallets, so I’ve become pretty opinionated about the type I like. I have a wonderful R&F Paints heated palette which I love, but since most students won’t be able to get that right away I like to teach with what they’re likely to have at home.
My favorite griddle brands are Rival and Presto because they last for years and offer fairly even heat which is important when painting with wax. I was almost tempted this time by another brand offering a white ceramic surface which would be great for mixing colors, but the reviews were not terrific, specifically mentioning uneven heat. So off I went to get my new griddles. It was a pretty funny trip because you get some strange looks at the store when you buy pancake griddles in bulk!
I was disappointed not to find the type I love but then I realized I had stumbled upon something even better: a square griddle (easier to reach everything if you’re shorter like me or can’t stand while you paint) with a tiny drainage area (which keeps any wax you’re mixing on the palette from falling into the drain) and a warming tray attachment that can be removed and replaced with a wooden dowel to create a handy paintbrush holder.
I’ve just replaced all of my griddles with this style for my upcoming 5-day Wax Week classes, so I’m excited to try them out!
If you’d like to join me at Wax Week, 2 spots just opened in my October 19 – 23 Wax Week class in Portland, Oregon. No experience needed. In this 5-day intensive workshop we’ll focus on combining wax with different media like collage papers, photographs, pastels, inks, pigment sticks, stamps and much more. View project photos and register for Wax Week here. Can’t make it to the full week? I’ve just added an option to get one-day passes.
Every year I hear from students who want to take my encaustic workshops but live too far away to fly in for just one or two days. With them in mind I offer my Wax Week class, a 5-day intensive workshop that combines some of my most popular classes with some brand new techniques that will keep you creating new work for years to come.
I’ll have two Wax Week sessions this year that will cover different techniques, so you can choose the workshop that best suits your style:
Wax Week: From the Ground Up (only 2 spots left!)
Mon – Fri, July 20-24, 2015
Subjects include creating beautiful backgrounds before you wax, working creatively and safely with shellac, mixing different media within one painting, secrets of creating depth, pouring wax for an ultra smooth finish, and taking your painting from start to finish. All levels are welcome.
Wax Week: Mixing Media*
Mon – Fri, Oct. 5 – 9, 2015
Subjects include mixing different media within one painting, creating transfers with photographs, drawings and rubbings, texture and embossing, secrets of creating depth and taking your painting from start to finish. All levels are welcome.
Most supplies will be provided including wax, paint, brushes, paper, boards, and basic encaustic tools. Space is limited to 6 students and classes fill quickly. I hope to see you soon. More detailed information, photos and registration here!
* Those of you coming in October will get an extra bonus: The timing on this class is perfect to also attend Portland Open Studios on Oct. 10 – 11. You can choose from almost 100 art studios to visit including some of my favorite Portland painters who work in encaustic. Don’t miss this!
Encaustic Fix It Clinic
Saturday, January 24, 2015
Go on, admit it. How many times have you wondered what’s wrong with that painting? It may be a technical problem or a place where all of your colors turn to mud. Or maybe you just can’t put your finger on it and need another opinion. In this class each artist will share one of their problem paintings with the class and we’ll discuss options for fixing it, then you’ll have the rest of the class to do just that, with help readily available of course!
Here’s how it works: You choose 1 or 2 of your problem paintings and bring them to class. We’ll work as a group to help you discover how to improve you work or discuss how to solve any technical issues. With this collaborative approach we can all learn from each others challenges. No class will ever be the same because what we cover depends on who is attending and what questions arise.
This class is not intended to teach you new techniques, but rather to help you perfect those you have tried but are having trouble with. In addition to your questions, you’ll benefit from the help the other students need as well. I hope you’ll join me for a low pressure way to learn from your (and everyone else’s) mistakes!
Confirmation, directions to my studio and additional information will be emailed to each student upon registration. Space is limited to 4 students so classes fill quickly. View class photos and register here
Here’s wishing you all a happy, healthy and creative new year! To help you with the creative part use the promo code below to get $20 OFF any (or all) of my online encaustic classes.
Taking classes online gives you the benefit of watching the videos as many times as you need to in order to feel comfortable trying it yourself. I offer several different classes including Painting & Texture, Encaustic & Collage, Stencils, Wax Transfers, and Shellac. Each class page has a free bonus video as well as a video excerpt from the actual class, so I encourage you to view those videos even if you don’t take the class.
Just go to http://www.RobertsonWorkshops.com and click on the link of the class you want to take. At checkout enter “NewYear20” where it says “apply promo code” and enjoy! (Offer Expires 1/5/2015. Good for the “rent all” option to purchase a full class, not for individual lessons. This can’t be applied to previous registrations and cannot be redeemed for cash.) FEEL FREE TO SHARE THIS WITH FRIENDS!
Treat yourself to some fun before the end of the year in one of my live classes:
Making Encaustic Medium & Paint
Tuesday, Oct. 21. All levels welcome.
Special Effects with Dry Pigments (New!)
Saturday, Oct. 25. Intermediate level class.
Introduction to Encaustic Painting & Texture
Saturday, Nov. 1 or Dec. 6. All levels welcome.
Surface Design with Stencils
Saturday, Nov. 8, Intermediate level class.
Encaustic Monotypes & Paper Lanterns (New!)
Saturday, Nov. 15. All levels welcome.
Capture Memories with Encaustic Collage
Saturday, Jan. 10, All levels welcome.
View class photos, descriptions and register at the link below. For most classes all supplies are included and no experience is necessary. These classes will be held in my private studio in Portland, Oregon.
So that’s it for another Wax Week! I only do these 5 day intensive classes once or twice a year and it’s always exciting for me to watch such an enthusiastic community of artists bound by wax. I usually have students from several states and this session was no different except that several of them could claim many states as their home since they happened to be in transition. No matter, everyone came with an open mind, an open heart and kind words for their fellow artists.
New techniques learned, exciting art created and new friendships formed. I love to see everyone swapping contact info before they leave. I can’t wait to see what you come up with next!
I’m planning my Wax Week dates for 2015 now! If you’re interested in joining us please sign up for my free newsletter to be notified when dates are finalized. I hope to see you in Portland soon!
When Fred Swan and I had our show together People’s Art gallery a couple of years ago we looked at those big beautiful windows with the light streaming in and knew something special was going to happen there.
After some discussion about what would best fill that space we were intrigued by the idea of wax scrolls. We worked independently on them, then brought our creations together as an installation in that front window. Having so many panels of paper and wax with that delicate natural light penetrating them filled the space with energy and movement. It was beautiful! People were very excited about the feel and scent of these art works, as well as their visual appeal.
Since that show I’ve made (a lot!) more scrolls and I’ve come up with new ways to add color and patterns to the paper, cut outs to be removed and reattached and a new way to hang them. It’s such a relaxing and meditative process, but it also gives you the instant satisfaction of making a 5 foot long piece of art in a day! If you’d like to try this yourself come see me in my Portland, Oregon studio this Saturday, 9/27. There are just a few spots left in this class and it won’t be offered again until next summer. If you’re not in the area join my mailing list to be notified when my online class for this is ready! I’m making big plans for that right now…
I’m so thankful to be a part of this blog hop, and excited to see how everyone creates their own unique art using the materials in the new Linda Robertson Encaustic Set from Enkaustikos! (By the way, some of you may know me as Linda Womack, but it’s Linda Robertson now so please help me spread the word if you would be so kind…)
This set includes lots of encaustic paint and medium in my favorite colors, 4 brushes, a pot of cleaning wax, an 8 x 10 cradled panel, 3 essential tools, a stencil from StencilGirl Products, a pastel from PanPastel Colors and three of my online lessons showing how to use all of the materials together. Here’s a little video to tell you what it’s all about:
BTW, if you are brand new to encaustic you might want to start with my free video overview about encaustic materials (scroll down to “Extra Features”).
I like to practice what I preach in my classes that no board is unsalvageable, especially in encaustic, but this one was NOT looking good. It had colors that didn’t go together and was the product of a demo I did for a very large crowd in Santa Fe last year so it’s safe to say that it was far more spontaneous than planned.
The beauty of salvaging something is that you have those beautiful colors that come through the background and tend to be wonderful surprises.
Many artists who work with wax and stencils together try to get very precise imagery but that’s not always the goal. I decided to do something very loose on this one. This stencil, called Eddy Rose, is from StencilGirl, and was designed by Mary Beth Shaw.
To get this effect I painted the wax through the stencil as usual, but instead of fusing the stencil in place I pulled it up first and then fused it to let the pattern flow with the wax. The result was beautiful!
You can really see the difference in the center photo above, where the top part of the board is fused and the bottom portion is not. I repeated this a couple of times alternating between Zinc White and Super Gold Pearl paint from Enkaustikos which are both included in my set.
Last week I had the pleasure of working with a wonderful people and pet photographer, Pauline Zonneveld, who booked time with me for a private consulting session to bring her vision of pairing encaustic and photography to life. She did her homework and brought a variety of images she liked cut out from magazines. This gave us a good basis to start with and from there I helped Pauline decide on a process and we talked about how to start developing her own distinctive style.
I took Pauline through a couple of different ways to get a look similar to what she liked. She decided that image transfers would be the best route for her based on the equipment she already has, so we got to work.
Here’s what she came up with. This photo was taken right after Pauline did a great little dance saying “Yes, that’s exactly what I wanted!” Well done Pauline!
My August sessions are already booked but if you’d like to work with me in September or later check my website for ideas of what you might want to cover and how to register. This is ideal for artists who can’t make it to my regular workshops or those visiting the area who need to work within a specific schedule.
BTW, Pauline is the photographer who took these amazing images of my 12 year old lab Sadie for her inspiring Good Old Dog Project.
It’s been way too long since I sent out an update on what’s happening with my art and my life but honestly I wasn’t really sure what to say. Those of you who follow me on Facebook may know that the past several months have held a lot of challenges for me including major changes to just about every part of my personal and professional life.
I’ve moved my home and studio, I’m single again after 20 years (yikes!) and am taking back my given name of Linda Robertson. I’ll use Linda Robertson Womack for a while so you’ll see that transition happen gradually, but I’ve already activated the web address for lindarobertsonarts.com. Baby steps, right?
All of these changes have dramatically slowed the many projects I was working on last year and I’m just starting to get everything back on track now, but I thought you’d want an update even if it’s not all worked out yet. Read on for what to expect in the coming months.
I also want to thank so many of you who have sent me words of encouragement over the last few months. I’ve read every message and responded to as many as I could but I know I missed some of you and for that I apologize. Your words have helped me more than you know and I truly am grateful for your good thoughts.
So, What’s Happening With…?
I’ve been hearing this question a lot lately on several subjects. Here’s the scoop:
New, New Studio Location
Wait, didn’t you just move your studio last summer? Why yes, yes I did. Then I bought a new house in completely the wrong direction from the new studio. The good news is that now I have a great studio space at home less than 5 miles from my long time Stark Street studio so it should still be convenient for everyone. Here’s a photo of what it look like now. I’ll be working hard this week putting on a few finishing touches.
Speaking of classes, I just posted my full summer schedule which includes two Wax Week classes in Portland. I’ll offer a 5-day class exploring Encaustic & Photography in June and another 5-day class on Mixed Media in July. Seats will be very limited so if you’d like to join in don’t wait!
Embracing Encaustic eBook
Ah yes, the eBook. This project really got hit hard and has been long delayed. I’ve been in contact with the amazing artists who will be featured in the eBook and they have been extremely supportive of my new circumstances. I won’t try to give you a publishing date just yet but I will say this will be the top priority for me once my studio is settled so it’s coming soon, I promise! Thanks to all of you who are so excited to see the new version. I’m pretty excited to see it myself.
It’s making me crazy that I had just finished filming the new surface design class when everything went south. It turned out really well and I can’t wait to share it with you. I still need to get it edited and write all the class notes which will take some time, but I’ll get it online as soon as I can.
In the meantime those of you who have already bought online classes can rest easy, your classes won’t expire anytime soon so please enjoy them while I work out the process of how these will work going forward. That goes for everyone right now, so if you’re thinking about joining our online community now is the time to get extra time in the classes — each just $49! (And yes, I know the name will have to change, but I haven’t figured that part out yet. I’m open to suggestions!)
This weekend I attended the International Encaustic Artists annual conference called encaustiCon, in San Antonio Texas. It was a wonderful event with lectures, workshops, networking events and a great vendor room. I highly recommend it!
A highlight of the event was their banquet which included presentation of the first annual La Vendéenne awards, where I was thrilled to win a trophy in the Media category.
The La Vendéenne Awards were named in honor of a fourth century AD encaustic painter whose remains, along with her encaustic tools, were found in the La Vendée region of France. The awards are intended to “recognize outstanding contributions to the advancement and practice of encaustic art.”
Awards were presented in several categories, and here are the winners!
The jurors for the award included Gail Stavitsky, Chief Curator of the Montclair Art Museum (NJ), Paula Owen, President & CEO of the Southwest School of Art (TX) and David S. Rubin, Curator of Contemporary Art at The Brown Foundation (TX). The beautiful trophy was crafted by James Meyer, an extremely generous and gifted artist and studio assistant to Jasper Johns. I have to admit, part of me wants to press the trophy into wax. Is that wrong?
As happy as I was to win the award, I was equally thrilled to see my work appear during the keynote speech, in Dr. Stavitsky’s slide show about contemporary encaustic work. You may recognize her name from the groundbreaking exhibition she curated in 1999 called Waxing Poetic, Encaustic Art in America. Waxing Poetic featured more than fifty artists whose content, style and subject matter differed widely but whose medium of choice was the same, wax. That show was the first introduction to encaustic for many gallery owners, reviewers and other artists.
The International Encaustic Artists 2013 encaustiCon, will be held in Santa Fe, New Mexico, at the Eldorado Hotel from Oct. 31st ~ Nov. 3rd, 2013. Will I see you there?
Last week I hosted a 5-day Wax Week Mixed Media workshop in my Portland, Oregon studio. I usually travel across the country offering this workshop at schools like Idyllwild Arts in California and Arrowmont School of Arts & Crafts in Tennessee, but I needed some time off from all the packing and unpacking so I invited students to come visit me this year.
Students from Washington, California, Colorado and Texas joined in the fun working with encaustic paint, paper, pastels, stamps, pigment sticks, inks, encaustic monotypes, wax scrolls and more! Here are a few photographs from the June session.
If you missed this Wax Week class you have another chance in August when the weather in Portland will be spectacular for a visit. Come join us!
Every summer I hear from students who want to take my encaustic workshops but live too far away to fly in for just one or two days. With them in mind I’m offering Wax Week, a 5-day intensive workshop that combines some of my most popular classes with some brand new techniques that will keep you creating new work for years to come. I’ll have two sessions this summer:
June 4 – 8, Monday – Friday (5 days), 10 am – 4 pm, $750 (full) or
Aug 27 – 31, Monday – Friday (5 days), 10 am – 4 pm, $750 (3 spots left!)
For those students I’ve taught around the country (hello Idyllwild? Arrowmont?) who have asked for another week long intensive class, this is it! No experience is necessary because everyone will learn as we go so you can focus on the projects that interest you the most.
Here’s what we’ll cover:
- Beautiful Backgrounds
- Painting with Pigment Sticks
- Creating Depth with Layers
- Encaustic Monotypes
- Colorful Wax Scrolls
- Individual Consultations
During the last part of the week each student will have the option for a 30 minute private consultation with me to review work, clarify techniques or ask their burning questions. It’s your time with me so you decide how we’ll spend it.
Most supplies will be provided including wax, paint, brushes, paper, boards, and basic encaustic tools. Students will be asked to bring 5 panels of their choice no larger than 11 x 14. You will will receive detailed information on these as well as a list of optional items upon registration.
Space is limited to 4 students and classes fill quickly. More info, photos and register here!
What a party! Last weekend there was a huge grand opening party at the eagerly awaited Mark Woolley Gallery where one of my paintings has already sold. Long time Portland art broker and gallerist Mark Woolley opened this new space as part of The Settlement galleries in Pioneer Place. For those of you were able to visit my “Spots of Time” show at People’s Art, Mark’s new gallery is on the same floor. Make sure you also have time to visit Place, another gallery on the same floor with a fantastic show this month (photos below).