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I’ve taught encaustic workshops for many yearsPresto Square Griddle using pancake griddles as the hot palettes, so I’ve become pretty opinionated about the type I like. I have a wonderful R&F Paints heated palette which I love, but since most students won’t be able to get that right away I like to teach with what they’re likely to have at home.

My favorite griddle brands are Rival and Presto because they last for years and offer fairly even heat which is important when painting with wax. I was almost tempted this time by another brand offering a white ceramic surface which would be great for mixing colors, but the reviews were not terrific, specifically mentioning uneven heat. So off I went to get my new griddles. It was a pretty funny trip because you get some strange looks at the store when you buy pancake griddles in bulk!

I was disappointed not to find the type I love but then I realized I had stumbled upon something even better: a square griddle (easier to reach everything if you’re shorter like me or can’t stand while you paint) with a tiny drainage area (which keeps any wax you’re mixing on the palette from falling into the drain) and a warming tray attachment that can be removed and replaced with a wooden dowel to create a handy paintbrush holder.

I’ve just replaced all of my griddles with this style for my upcoming classes, so I’m excited to try them out!

Brush holder

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Linda Robertson is the author of the Embracing Encaustic Book series and she offers live encaustic workshops in her Portland, Oregon studio as well as online encaustic classes.

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Add wax to your favorite photograph for a festive reminder of the year!

Add wax to your favorite photograph for a festive reminder of the year!

Welcome the changing of the seasons with me in my cozy Oregon studio by making a beautiful waxy ornament to decorate your windows or trees over the holidays!

I’ll have my make-n-take holiday ornament station set up again this year, so stop by and add wax to your favorite photograph or drawing for a festive reminder of the year. If you’ve always wanted to work with wax, this will be a fun, easy, free introduction. These are kid friendly too so feel free to bring the family.

I’ll also have snacks, drinks and great gift ideas from small paintings to large wax scrolls all at 25% off, plus gift certificates for classes and more. I hope you can join me! Read the rest of this entry »

When you mix colors do you tend to make nothing but mud? There’s a class for that! (and a quick tip below…)

On June 19 from 6 – 9 pm I’m hosting guest instructor and color expert Kimberly Kent in my Portland, Oregon studio to help you expand your painting palette while you develop your color sensibility.

Learn to mix, glaze and see color better. The exercises and techniques in this class will give you new tools for understanding how to mix just the color you need. You’ll work in encaustic paint in this class, but these concepts can be applied to color mixing in any medium. Find out more about my classes or register here.

How to Avoid Making Mud

Here’s a great example of the tips you’ll learn in this class: To avoid making mud, mix two primaries first. Once you get as close as you can to your desired color add the third primary. For example, mix yellow and blue to make green, then a touch of red to get the green you want. Just a few tips like this will have you mixing colors like a pro!

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Linda Womack offers encaustic workshops in her Portland, Oregon studio as well as online encaustic classes at RobertsonWorkshops.com.

Songs Never Cease, 36 x 48, installed at Opus VII Gallery

I love a good art blog and Nancy Natale has got one. Nancy is a visual artist who works in several types of media including encaustic. We only see each other once a year or so at the International Encaustic Conference in Provincetown, but we keep up with each other through email, blogs and FaceBook. Last year she even bought one of my paintings at the conference.

Recently Nancy put out a call for an online exhibit called Art & Music, looking for art influenced by music and I’m happy to have my work included in the show. While choosing which piece to submit I started looking at my art in a new light which I think is a good indication of a strong curatorial theme. The show turned into a fascinating look at several artists work I hadn’t seen before, as well as a new view of my own work.

Here’s how Nancy introduced the show: “Listening to music while making art is a common practice in the studio. All that silence of solitude needs breaking up with melody and rhythm. It keeps us company, gets us singing and dancing, influences our moods and creeps into our art.”

I hope you’ll view the show and then take a look at your work in a new light. Does music influence your art?

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Linda Robertson offers encaustic workshops in her Portland, Oregon studio as well as online encaustic classes at RobertsonWorkshops.com.

Hot StuffThis virtual gallery is for all of those artists not able to attend the First National Encaustic Conference and accompanying gallery show, Hot Stuff.

The range of the work was impressive, with everything from works on paper to sculpture represented, including traditional and experiments styles. I attended the show twice and still didn’t get enough time with these amazing pieces of art! Enjoy.

** To see more posts about the 2007 conference go here. **

1b Gwen Plunkett 3 5 8 Alexandre Masino 19 20 21a 23 Lissa Rankin 25 27 Mari Marks Linda Womack, Remiains of the Earth, 12 x 12 inches Miles Conrad, Explorer, Encaustic, Rubber Bands, Wire on Panel Daniella Woolf, Spina 30, 30 x 30 inches, sewn paper encaustic Ed Angell, Homage to M.L., 12″ X 12″ X 4 3/4 inches, Beeswax and Lead Debra Ramsay, Alone Together, 24 x 24 inces, encaustic and eggshell inlay on birch panel Debra Ramsay, Measuring Parallels #7, 24 x 24 inches, encaustic and eggshell inlay on birch panel Jeff Schaller, Closed, 24 x 24 inches, encaustic Jeff Schaller, Flashbulbs, 24 x 24 inches, encaustic Kristin Swenson-Lintault, Vital, 12 x 12 inches, Encaustic, oil stick, string on Masonite Lorraine Glessner, Seed, 12 x 12 inches Lorraine Glessner, Refraction, 12 x 12 inches David Hazlett, Lime Wedge, 9 1/2 x 10 1/2 inches Lorrie Fredette, Pores, 6 x 3″, encaustic and interfacing Lorrie Fredette, Preservation #2 & #3, 23 x 24 X 6, encaustic and interfacing Diana Gonzales-Gandolfi Sandra Quinn Alexandre Masino, Conquis par cette lumi, Encaustic on board, 16″ x 23″ Alexandre Masino, Culte diurne, Encaustic on board, 16″ x 23″ Julie Shaw Lutts, Journey, 12″ x 12″ on wood panel Kim Bernard, Nautilus, encaustic on terra cotta, 3” x 15” x 15″ Kim Bernard, Asclepias Scattered, encaustic on terra cotta, 3” x 10” x 20”

Please note: I lost my notes with the artists and titles so I’m adding in the info for what I have, numbering the rest of the works (view the number or artist’s name by moving your cursor the image). Also, I wasn’t able to photograph all of the work, so if you were represented in the show and I’ve missed yours (or ended up with a bad photo!) please send me an image and I’ll add it here. If your work is here and you’d like me to post the details, please send them to me along with the number it goes with.

Hot Stuff show opening

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Online Encaustic Classes



RobertsonWorkshops.com online video classes bring Linda Robertson, an art teacher with international experience, right into your studio. Work at your own pace and watch the videos as many times as you want for a whole year.

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My Books: Embracing Encaustic Series

There are now two books under the Embracing Encaustic title, Learning to Paint with Beeswax and the new title Advanced Techniques for Mixing Media, each focusing on specific encaustic techniques. Between the two books there are a total of 70 artists who share their work, reveal their personal painting methods and explain why they are compelled to make the work they do.Find out more and purchase them online here.

Embracing Encaustic: Learning to Paint with Beeswax
By Linda Robertson

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