You are currently browsing the category archive for the ‘workshop’ category.

Online encaustic classes at RobertsonWorkshops.com

Online encaustic classes at RobertsonWorkshops.com

Great news! My online encaustic classes are now available by the class or by the lesson, allowing you to purchase exactly what you need. A few lessons are as little as $5 and each class page has at least one free bonus video. 

Each page has a free excerpt from the class plus at least one free bonus video! Check them out here: http://www.RobertsonWorkshops.com/

Are you new to encaustic? Not a problem! You should know that encaustic is one of the oldest forms of painting, with paint made from pure pigment mixed with beeswax and resin. The mixture is applied hot, and then reheated to fuse the layers together. It’s one of the most forgiving mediums available, allowing you to “undo” virtually anything, giving you the freedom to be fearless and let your creativity flow. My online encaustic classes will get you started working in this beautiful and unique medium in no time.

Online encaustic classes at RobertsonWorkshops.com

Online Encaustic & Shellac class at RobertsonWorkshops.com

Last week I had the pleasure of working with a wonderful people and pet photographer, Pauline Zonneveld, who booked time with me for a private consulting session to bring her vision of pairing encaustic and photography to life. She did her homework and  brought a variety of images she liked cut out from magazines. This gave us a good basis to start with and from there I helped Pauline decide on a process and we talked about how to start developing her own distinctive style.

I took Pauline through a couple of different ways to get a look similar to what she liked. She decided that image transfers would be the best route for her based on the equipment she already has, so we got to work.

Here’s what she came up with. This photo was taken right after Pauline did a great little dance saying “Yes, that’s exactly what I wanted!” Well done Pauline!

My August sessions are already booked but if you’d like to work with me in September or later check my website for ideas of what you might want to cover and how to register. This is ideal for artists who can’t make it to my regular workshops or those visiting the area who need to work within a specific schedule.

cls_private-pauline
BTW, Pauline is the photographer who took these amazing images of my 12 year old lab Sadie for her inspiring Good Old Dog Project.

Sadie   Sadie close up

ImageThis weekend I attended the International Encaustic Artists annual conference called encaustiCon, in San Antonio Texas. It was a wonderful event with lectures, workshops, networking events and a great vendor room. I highly recommend it!

A highlight of the event was their banquet which included presentation of the first annual La Vendéenne awards, where I was thrilled to win a trophy in the Media category.

The La Vendéenne Awards were named in honor of a fourth century AD encaustic painter whose remains, along with her encaustic tools, were found in the La Vendée region of France. The awards are intended to “recognize outstanding contributions to the advancement and practice of encaustic art.”

Awards were presented in several categories, and here are the winners!

Artistry: Martin Kline
Innovation: Ann Huffman
Education: Douglas Mehrens
Media: Linda Robertson (Womack)
Lifetime Achievement: Jasper Johns

The jurors for the award included Gail Stavitsky, Chief Curator of the Montclair Art Museum (NJ), Paula Owen, President & CEO of the Southwest School of Art (TX) and David S. Rubin, Curator of Contemporary Art at The Brown Foundation (TX). The beautiful trophy was crafted by James Meyer, an extremely generous and gifted artist and studio assistant to Jasper Johns. I have to admit, part of me wants to press the trophy into wax. Is that wrong?

Image

Passion Spares Nothing, 11 x 14, encaustic by Linda Womack, featured in Dr. Stavitsky’s slide show at encaustiCon.

As happy as I was to win the award, I was equally thrilled to see my work appear during the keynote speech, in Dr. Stavitsky’s slide show about contemporary encaustic work. You may recognize her name from the groundbreaking exhibition she curated  in 1999 called Waxing Poetic, Encaustic Art in America.  Waxing Poetic featured more than fifty artists whose content, style and subject matter differed widely but whose medium of choice was the same, wax. That show was the first introduction to encaustic for many gallery owners, reviewers and other artists.

The International Encaustic Artists 2013 encaustiCon, will be held in Santa Fe, New Mexico, at the Eldorado Hotel from Oct. 31st ~ Nov. 3rd, 2013. Will I see you there?

______________________________________

Linda Womack offers encaustic workshops in her Portland, Oregon studio as well as online encaustic classes at RobertsonWorkshops.com

I’m proud to have an article in the current issue of Encaustic Arts Magazine called “Creating and Embracing New Opportunities” which tells the story of how my book, Embracing Encaustic, led to many more new opportunities including my online encaustic classes at RobertsonWorkshops.com.

Here’s an excerpt: “As the huge truck pulled up in front of my house I got a chill up my spine. I knew the books would arrive sometime that week but no one seemed to want to give me a firm delivery date. I watched as the driver struggled to maneuver the bulky pallet through my garden gate and I worried that it wouldn’t fit. As he drove away, leaving me with box after box of my new encaustic book I thought, not for the first time, “What have I done?”

It all started about 5 years ago when one of my students mentioned that she couldn’t find an encaustic book with step-by-step instructions for beginners. That got me thinking that it wouldn’t be too hard to put one together, especially with the new print-on-demand services that had recently become available for self-publishing books online. Using this service they would be printed as they were purchased, so I would never need to print a large number of books. By that evening I had decided which service to use, downloaded the software and purchased the Internet domain name Embracing Encaustic.”

Read the whole article online. It’s a very inspiring magazine, so please share it with your friends!

Last week I hosted a 5-day Wax Week Mixed Media workshop in my Portland, Oregon studio. I usually travel across the country offering this workshop at schools like Idyllwild Arts in California and Arrowmont School of Arts & Crafts in Tennessee, but I needed some time off from all the packing and unpacking so I invited students to come visit me this year.

Students from Washington, California, Colorado and Texas joined in the fun working with encaustic paint, paper, pastels, stamps, pigment sticks, inks, encaustic monotypes, wax scrolls and more! Here are a few photographs from the June session.

If you missed this Wax Week class you have another chance in August when the weather in Portland will be spectacular for a visit. Come join us!

Dawn adds texture and color to her panel

A few of the 5 foot long wax scrolls we created, Karen on left, Laura on right

Read the rest of this entry »

After living in a new house for a while, did you ever decide that you wanted to rearrange the rooms to make better use of them? Something like that has happened on RobertsonWorkshops.com. After some valuable feedback from students, we’ve decided to change our classes to better fit how you want to learn.

Starting now, you can begin any class immediately–no waiting for a class to begin! If you can buy it, you can watch it right now. What’s more, you have access to all the videos, class notes and community chat for six full months from your day of registration. Your instructor will answer questions online during the first seven days of every month, and you’ll be able to discuss your projects with other students in your class during the entire length of the class.

All classes are under $50 and gift certificates are available for the perfect holiday present.

I recently received this wonderful note from a regular student in my online classes. Congratulations Jane!

“One of my encaustic collage pieces was just juried into a show at Artworks here in Richmond, so I wanted to let you know and thank you for the great online workshops……I used everything, including The Great Undo!* The skeletal leaf was brought into the house on the back of one of my dogs, so you just never know where you’ll get a collage element!”

Work by Jane Porter, a student in my online encaustic collage class

* The Great Undo is one of the lessons in my Encaustic Collage class which shows you how to quickly and easily remove parts of your encaustic painting that you don’t like. As you might imagine, it’s a VERY popular lesson.

I taught my Encaustic & Photography class last weekend in my Oregon studio and had the pleasure of working with 3 amazing photographers who made beautiful work. None of them had much (if any) experience with encaustic but here is a small portion of what they were able to create in just two days:


This photograph by Lara Blair was already a beauty, but when she cut out the horse and made her own sky with the encaustic paint the movement was highlighted dramatically. As a great example of the sculptural properties of the wax, the mane of the horse is raised slightly, giving the painting more dimension.


This collage, also by Lara Blair, is a combination of photographs on different weights of paper and some faux gold leaf around the top edges.


The work above is by Sandra Nykerk who traveled all the way from Gardiner Montana for this class.  This image of a rock within a rock was printed on tissue paper then highlighted with pastels. It’s a shame how hard it is to photograph encaustic, and I didn’t do this piece justice. It’s so luminous!


This work is by Maro Vandorou. She rarely works with color so the image above is an exception and the one below is more similar to the rest of her work. In the photo of the roses, we poured the wax over the surface of the photograph instead of painting on layers of wax. That gives the image a dreamy feel and a perfectly smooth surface that is very enticing.

Maro’s self portrait was made on tissue paper and adhered to a board with wax, letting much of the clear medium show through.

If you’d like to join me for an Encaustic & Photography class, check the schedule online anytime at http://www.embracingencaustic.com/workshops/. If you can’t get to Oregon to see me I’ll come to your studio via my online classes. Check them out at http://www.womackworkshops.com.

I’m thrilled to make my big announcement — my new video workshops are now available online at RobertsonWorkshops.com!

Our online video classes bring an art teacher with international experience right into your studio. Work at your own pace, get personalized instruction, and interact with a community of like-minded artists. Best of all, every class is just $49 US with six months of access to videos and the class community.

I’ve been teaching in-person in my studio and around the country for years, but availability has always been limited to a handful of students per class. At the same time, so many of you have expressed interest in my workshops over the years with the regret that you live too far away to join me. To solve both of these problems my husband Bill and I decided to offer video classes, delivered online.

Here’s How it Works

  • All videos are available immediately so you can work at your own pace.
  • Your purchase gives you six months of access to the videos starting the moment you purchase the class.
  • The class includes an online forum where you can chat with the instructor and other students, share photos of your work in progress and post finished work.
  • The instructor will answer forum questions several times daily for the first 7 days of each month.
  • You’ll also benefit from discussions with all of the other students throughout the duration of the class.

For those of you who haven’t tried encaustic painting before the new web site even includes a free video on how to set up your own encaustic studio.

Join our mailing list to be notified when new classes are added (click link and look in right column).

Can you help me spread the word?

Please forward this link to a friend or two who you think might be interested. I’ve announced this on FaceBook and Twitter recently too, so if you see those posts please “like” them or retweet. Many thanks…

A couple of weeks ago I taught my first workshop internationally. I spent a week in Okanagan Falls, Canada teaching two encaustic workshops to 24 very enthusiastic women. We had fun! It was easily the best view I’ve ever had from a studio window, looking out on beautiful Skaha lake.

Normally I have lots of photos to post here from each workshop, but mine didn’t come out so well this time. Luckily my host, Thea Haubrich, from Twin Lakes Encaustic Art saved the day with her own excellent photos of the workshops. Thanks Thea! Thea and I have been long distance friends for years now, but this trip gave me a chance to get to know her and her husband much better and to finally visit their beautiful town.. It was a pleasure to teach in Canada and meet such a nice group of poeple.

Many of you have met my husband, Bill, on these teaching trips and might wonder what he does while I’m so busy. He put up a fun blog post about this trip here so I thought I’d share it. Talk about being in the right place at the right time! He always manages to find something interesting everywhere we go.

Those of you who read my blog on a regular basis know all about my previous visits to the John Campbell Folk School, so I won’t revisit the basics again. Instead I’ll focus on this amazing group of students brought together by my workshop there a few weeks ago. Wow, did we have fun! I’ve got several photos here for you to get an idea of how the workshop unfolded, and what wonderful friendships were forged.

captionDru and Louise had very different styles of working, but had a great time working together. Louise arrived in her big truck with just about everything under the sun so when we were missing something everyone asked, “Does Louise have it?” and she usually did. Thank goodness!

captionAnne and Susan taught wood turning instructor Jim about the basics of encaustic. Jim, along with several other instructors and students from other classes, stopped by to see what all the fuss was about and left with a copy of my book Embracing Encaustic in tow to get started at home.

Here is the whole class on the last day along with some of their favorite work. The photo was taken by our wonderful studio assistant Susi Hall who managed to avoid my camera!

This group was made up of extraordinary experimenters who tried hard to find new approaches to use with their wax. Check out some of their work:

Stacey made this wonderful piece with pins running through balls of wax that were scraped off of other paintings. It's a wonderful reminder that everything doesn't need to be flat!

Lynn brought in a ceramic panel that was bisque fired and added transparent wax to enhance the surface.

Ruth made this wonderful piece look like leather by combining wax, shellac and fabric.

Rodney is vision impaired and contacted me about it before class. I figured out that because I feel the wax as much as I look at it that we should be able to find a way for him to work in the medium. We did! This image uses an image transfer for the figures and the rest was done with a smaller paint brush and his little flashlight to help him see the brush detail as he painted. Nicely done!

Dru made this piece with a hand colored photograph glued to the board then covered with clear medium. I showed her how to use wax crayons and PanPastels on top of the wax for delicate surface details. Dru sold this piece to a student from another class during our show at the end of the week.

Anne worked with cigar boxes as bases for several of her pieces and come up with some interesting designs, a few of which looked like shrines.

We had a critique at the end of class where everyone was able to show off their favorite work in private before it went to the exhibit.

During class I mentioned that my dog, Sadie, needs surgery and I was very worried about her. Someone found a photo of her in my collage materials and everyone worked together on this painting of Sadie, wishing her a speedy recovery. It was such a sweet gesture that they made me cry. Thanks everyone!

The two funniest comments from the week:

1. That looks like a hamhock!

2. That girl ‘aint right.

Both said with a smile, and both well received. Yes, it was an extraordinary group, and it was my pleasure to be a part of it. 🙂

I would never plan to do two full week classes back-to-back in such different parts of the country, but sometimes things just work out that way. I packed up at Idyllwild in California on Friday night, flew out Saturday — arriving after dark — and was set up and teaching again by Sunday in Tennessee.

That doesn’t even make sense on paper much less in the real world but it worked thanks to the amazing team of summer interns at Arrowmont School of Arts and Crafts who helped me get settled in and set up quickly.

It didn’t hurt that they have more power in that studio then I’ve ever had for a workshop, but we still had to try a few configurations to get it just right. I felt like the indecisive woman changing her mind on where the couch should be, but it’s important to get the tables and equipment set up in a way that fosters community and we did just that.

I had a whopping 15 students in this class. Look at all that power!

Below is a video tour of our classroom, with the gallery just outside our doors for instant inspiration.

I was thrilled to have my work on the anchor wall for the show, and even sold one of these pieces while I was there.

They have an excellent gallery at Arrowmont, run by the talented Gallery Coordinator Karen Green. It’s essentially the hallway between the classrooms but what could have been very ordinary has been transformed into a series of intimate spaces with the use of stones, fountains and quiet seating areas.

My studio neighbor (and new buddy) Susan Fecho discusses her work in the gallery. Click on this photo to see more of her mixed media work.

Susan's assistant Evan was kind enough to share some of their class demos with my students too.

There was a great feeling of collaboration throughout the week. I often invite students and teachers alike from other classes to stop by and see what they can do with the wax in their own projects, and several of them took me up on it including TJ Erdahl (below) the Arrowmont Program Manager who wanted to make a waxed hat for his fascinating ceramic sculpture.

Mary Ann gets the kinks out with a quick hoop break.

As you can see above we did manage to have some fun and that often included “hoop breaks” with our own cruise director Sara Gibson. She brought several hula hoops to share, including one that’s collapsible for travel (!) and got everyone into it (see video below).  She’s fantastic at this!

Another fun break was the Artist-in-Residence open house, where we could see how these talented artists spend their year at Arrowmont. The video below takes you through the work spaces of Andrea Moon, Shawn O’Connor, Wyatt Severs and Jennifer Wells.

Believe it or not, we did do some actual painting during the week. The studios at Arrowmont are open late into the night so there was a lot of time to work too. I was astounded my the sheer number of pieces that were finished, but they were also really high quality.

Several students traded or sold work to one another on the last day of class and everyone went home with some work to be proud of.

My buddy Carolyn aka "spider woman" prepares the real thing for one of her paintings.

We had to snip off his back legs to get him flat enough, then attach them again with wax. Yes, it was icky. And yes, he was long dead!

What a fun group! Special thanks to my studio assistant Lynn Bland, back row third from the left. Thanks for all of your help!

These wonderful folks just about made me cry when they presented me with this beautiful water tumbler, a big bar of chocolate and a beautiful card signed by everyone. Now I’ll always have my water at hand, but that chocolate is LONG gone. Thank you all so much!

Everything is so orderly before we get started, then creativity causes beautiful chaos.

“So that happened.”  That’s one of my favorite quotes from a great little movie called State and Main (yes, they use the line in the trailer) and seems to sum up my recent teaching experiences in California and Tennessee. I hadn’t planned to teach two weeks of classes in different states back to back, but that’s how it worked out and I have to admit some of it is a blur as I look back. What is crystal clear are my memories of the talented and incredibly creative students I worked with and the beautiful work they made.

I’ll start with Idyllwild Arts in California since that’s where my journey began. If you haven’t been there it’s well worth the trip to spend some time in such an amazing setting surrounded by caring teachers and staff. It’s a stunning area with a winding drive from hot and dusty Palm Springs up to the 5,000 foot mark at Idyllwild, where the weather is much more hospitable. I made the mistake of arriving after dark so I missed the drive up but that made for a nice surprise on the way out. Below are some photos from my travels. Enjoy!

We had an excellent studio for the class, and everyone got right to work.

We had an interesting collaboration, where Vicky started this piece (left) and Rosemary finished it (right). This is a great exercise if you get stuck.

Many students brought materials to donate to the collage table so we had lots of fun images to choose from.

It was warm enough to set up a prep station outside for those who wanted to try textured gesso.

Anne tried an image transfer that didn't work out, but it ended up looking like a bird silhouette so she took the work in a great new direction!

When I have friends nearby I often invite them to visit so students can see more original encaustic work than I can fly with. Amber George was kind enough to stop by to talk about her work. To see more of her work click this photo to visit her web site or go to http://www.ambergeorge.com.

Everyone hard at work on the last day of class.

Sharon had been working in a very distinctive style in other media for years and was able to apply her design background very nicely to her work in wax.

At the end of each week long course there's a show of everyone's work. Here's Roger discussing his latest work.

Here's our class photo. Thanks to all of you for a wonderful time and many creative memories. I hope to see you again soon!

Beautiful work created by several sutdents in my class at JCC

Beautiful work created by several students in my class including Suzanne, Zoey, Pat, Carol and Nan. Great work everyone!

I’m back from teaching a week long encaustic painting workshop at the John C. Campbell Folk School in beautiful Brasstown, North Carolina. Frontier Airlines managed to break most of my hot palettes on the way over so it was a very rocky start, but it ended with lots of new friends and 8 happy students. One of them even told me I changed her life, which is well worth the price of a few pancake griddles.

I’ve got some photos to share and even a short video tour of our amazing studio, then it’s back to reconstructing my own studio for classes in Portland. Enjoy!

Stephen masks out areas of his paiting with tape while Lori experiments with a new color

Stephen masks out areas of his painting with tape while Lori experiments with a new color

Carol used alcohol inks on her board before waxing to get a nice effect

Carol used alcohol inks on her board before waxing to get a nice effect

mary6

Guest artist Mary Farmer discussing her work with my class

Suzanne and Zoey look on as Mary and I ham it up.

Suzanne and Zoey look on as Mary and I ham it up.

My buddy Mary Farmer recently moved to nearby Asheville and was kind enough to join us for a day to discuss her process and approach to painting in encaustic. She brought two of her larger paintings which were a real treat to see in person. Mary is one of the artists featured in my book, Embracing Encaustic: Learning to Paint with Beeswax.

art-stephen2 art-lori

Stephens painting was a class favorite (left) and Lori was fearless in experimenting with color and line (right).

Patty explains the process to some visitors to the class.

Patty explains the process to some visitors to the class.

art-patty art-pat2

Patty tried something a little more abstract here and it really worked (left) while this intriguing piece by Pat (right) was the result of one of her very first paintings.

Nan and Zoey try to finish a few more pieces before the show

Nan and Zoey try to finish a few more pieces before the show

At the end of the week each class shows work in the community room so we can see what everyone learned. I was very proud of the quality of art and how hard everyone worked all week. Even with long hours we still managed to have lots of fun!

At the end of the week each class shows work in the community room so we can see what everyone learned. I was very proud of the quality of art and how hard everyone worked all week. Even with long hours we still managed to have lots of fun!

And finally, here’s a short video tour of our very well appointed painting studio:

Thanks to all of you for a wonderful week!

Thanks to all of you for a wonderful week!

Join me at 23 Sandy Gallery on February 7, 2009 for Working in Wax. This lecture will be a rich visual introduction to the history, tools and techniques of encaustic painting, along with an overview of contemporary artists working in this ancient medium. I’ll share images of several of my paintings as they were being created, showing some of the steps involved in building up the layers of wax and other media.

There will also be a screening of Sister Bee, a lyrical and beautiful documentary about six women beekeepers who encounter startling beauty and spiritual truth in their work with honeybees (Running time 30 minutes). Tickets are $10 and are available in my studio or by mail. Limited to 25 people.

Join My Mailing List

Online Encaustic Classes



RobertsonWorkshops.com online video classes bring Linda Robertson, an art teacher with international experience, right into your studio. Work at your own pace and watch the videos as many times as you want for a whole year.

Categories

My Books: Embracing Encaustic Series

There are now two books under the Embracing Encaustic title, Learning to Paint with Beeswax and the new title Advanced Techniques for Mixing Media, each focusing on specific encaustic techniques. Between the two books there are a total of 70 artists who share their work, reveal their personal painting methods and explain why they are compelled to make the work they do.Find out more and purchase them online here.

Embracing Encaustic: Learning to Paint with Beeswax
By Linda Robertson

Archives

Follow Me on Twitter