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As soon as I finished this piece I knew my work had taken a new path. This might even be the beginning of a new series! Time will tell. It’s usually obvious when I start a new series, but sometimes it creeps up on me. My mind is telling my body what to do but not always WHY I should do it. I’m really glad I thought to photograph this one in different stages because it really illustrates how much the work changes from beginning to end, and how you have to build up the layers of information as you go along in order to create complexity in the final work.

So here’s how my new work, Always in Season, came to be.

Always in Season Progression 1

I was trying a new red, Alizarin Crimson, which my husband appropriately nicknamed I-just-killed-my-roommate red. I had to agree that it was a bit much. That launched me into a quest on how to tone it down, which led to a fantastically layered area. I’m learning to embrace the mistakes as opportunities (though sometimes painful!) to try something new.

Always in Season Progression 2

At this point I was getting concerned about how dark the background was getting. I know some artists start with a layer of black and build up from there, but I’d never tried it before and I was afraid I’d get nothing but mud. A layer of clear medium on top of the black prevented the problem and I was very happy with the results.

Always in Season, 16″ x 16″,  Encaustic and mixed media

Always in Season, 16″ x16″

Encaustic, joint compound, and silver leaf on wood

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My Books: Embracing Encaustic Series

There are now two books under the Embracing Encaustic title, Learning to Paint with Beeswax and the new title Advanced Techniques for Mixing Media, each focusing on specific encaustic techniques. Between the two books there are a total of 70 artists who share their work, reveal their personal painting methods and explain why they are compelled to make the work they do.Find out more and purchase them online here.

Embracing Encaustic: Learning to Paint with Beeswax
By Linda Robertson

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