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Jack-scarAs many of you know my sweet studio dog Jack was diagnosed with cancer last month. The vet found a tumor on his belly that needed to be operated on right away. Within 2 days he’d had the surgery and after a few complications he is now cancer free and on the mend. I’m so very thankful that he will be OK.

Now it’s time to celebrate! I’m combining my spring studio sale with a party for Jack. Expect a big cake and wine as well as plenty of great art and some fun and unusual auction items. Jack will be available for belly scratches and photographs all afternoon. View the Facebook invitation.

Studio Sale & Celebration
June 11, 2017 from 2 – 6 pm
Linda Robertson Arts Studio
12717 NE Clackamas St, Portland, Oregon

My summer encaustic class schedule is out too so come by to see what the projects we’ll create and sign up for classes (they are filling fast). It’s going to be a great summer to make some art!

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Linda Robertson is a painter and the author of the Embracing Encaustic book series. She offers live encaustic workshops in her Portland, Oregon studio as well as online encaustic classes.

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20x24-1upIn college I was one of 10 artists who received a scholarship through California State University to create my work on the legendary 20 x 24 Polaroid camera. The camera was flown from New York to Humboldt State University and Program Director John Reuter helped us photograph the setups we had been experimenting with on 4 x 5 and 8 x 10 view cameras.

Since its introduction in 1978 this camera has been recognized as one of the most unique photography tools available. Originally developed to accurately reproduce works of art, the camera was quickly recognized as a creative tool to make instant photographs of 20 by 24 inches. Early practitioners included Chuck Close, Ansel Adams and William Wegman. Only 5 cameras were ever constructed and Read the rest of this entry »

Many artists need time alone in order to focus enough to get their work done. While I consider myself very sociable, even I think twice before I go to an art event because it’s still time away from my studio. It’s fine to have your alone time, but I want to encourage all of you to get out of your studios and go visit with other artists whenever you can! Local art events offer an easy way to visit many studios in a short period of time, so that would be a good place to start.

We just had a big one here in Oregon, called Portland Open Studios, and I was happy to visit with a number of artists I’ve never met before as well as those I try to visit regularly. I often post photos from my studio visits on my Facebook timeline.

My Facebook posting about Randall's work

At every studio I try to ask other visitors “what was your favorite stop so far?” This year several people mentioned Randall David Tipton. I hadn’t heard of before so on the list he went and boy am I glad of it! Read the rest of this entry »

Talented former students of mine showing work at People's Art include Kindra Crick, Frederick Swan and Karl Kaiser

Talented former students of mine showing work at People’s Art include Kindra Crick, Frederick Swan and Karl Kaiser

If you are anywhere near Portland, Oregon be sure to stop by Peoples Art of Portland Gallery  before April 13 to see a wonderful encaustic and mixed media show with with a very personal connection to me. Each of these talented artists was once a student of mine! Don’t miss a chance to hear them talk about their wonderful new work too.

kindra-lindaArtist Talk
Sunday, April 6th 2-4pm.
All ages -Free.
Artists: Fredrick Swan, Kindra Crick, Karl Kaiser and Brian Gray. Hosted by Chris Haberman.
Snacks. Wine. Fun. Show runs through 4/13.

Come talk with Portland artists who create layered work of evocative depths, using encaustic as part of their painting process.

Discover how these artists cut, scrape and carve to reveal complex and textured histories. Kindra Crick, Karl Kaiser and Fredrick Swan will share their life experiences with art, unique and fascinating process to create depth and their formula for their work composed for the gallery, in their layered and exciting show, “Excavations.” This is not to be missed!

Peoples Art of Portland Gallery
Pioneer Mall, 3rd floor. Suite 4005
Downtown Portland, Oregon
open thurs-sun 12-6
www.peoplesartofportland.com

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Linda Robertson offers encaustic workshops in her Portland, Oregon studio as well as online encaustic classes at RobertsonWorkshops.com.

OK folks, this is it, the show everyone in Portland is talking about! Join me this Saturday for this epic annual show that is also a fundraiser for the Oregon Food Bank. Peoples Art of Portland, Po Boy Art/Jason Brown, and Chris Haberman present…

The BIG 400 Show
400+ Artists
4000+ Pieces of art
ALL ART IS $40
Cash / Credit and Carry
BIG opening Sat. Dec 14th at 2pm (until 9pm)
Bring canned food for free entry
Yes indeed, all art is only $40 so why would so many well known artists participate in an event where their art sells for so little year after year? Aside from the great fund raising part, it’s because it’s such a unique show and all about the art. All work is the same size and price and no names are displayed so your choice is simple, if you like the art BUY THE ART without concerning yourself with who made it and what their credentials might be. New collectors of original are born out of this show every year.
I use these pieces to do experiments and smaller sketches for new projects throughout the year, and continue working with what I like best about each of my 10 panels. Come join me in a friendly race to find the perfect present at a perfect price! Here’s a preview of some of mine this year. I hope to see you there!
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Peoples Art of Portland Gallery
700 SW Fifth (3rd floor)
Pioneer Square Mall, downtown Portland
open Thurs-Sun 12-6pm
show runs through Jan 12th

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Linda Robertson  offers encaustic workshops in her Portland, Oregon studio as well as online encaustic classes at RobertsonWorkshops.com .

Last week I had the pleasure of working with a wonderful people and pet photographer, Pauline Zonneveld, who booked time with me for a private consulting session to bring her vision of pairing encaustic and photography to life. She did her homework and  brought a variety of images she liked cut out from magazines. This gave us a good basis to start with and from there I helped Pauline decide on a process and we talked about how to start developing her own distinctive style.

I took Pauline through a couple of different ways to get a look similar to what she liked. She decided that image transfers would be the best route for her based on the equipment she already has, so we got to work.

Here’s what she came up with. This photo was taken right after Pauline did a great little dance saying “Yes, that’s exactly what I wanted!” Well done Pauline!

My August sessions are already booked but if you’d like to work with me in September or later check my website for ideas of what you might want to cover and how to register. This is ideal for artists who can’t make it to my regular workshops or those visiting the area who need to work within a specific schedule.

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BTW, Pauline is the photographer who took these amazing images of my 12 year old lab Sadie for her inspiring Good Old Dog Project.

Sadie   Sadie close up

I’m proud to have an article in the current issue of Encaustic Arts Magazine called “Creating and Embracing New Opportunities” which tells the story of how my book, Embracing Encaustic, led to many more new opportunities including my online encaustic classes at RobertsonWorkshops.com.

Here’s an excerpt: “As the huge truck pulled up in front of my house I got a chill up my spine. I knew the books would arrive sometime that week but no one seemed to want to give me a firm delivery date. I watched as the driver struggled to maneuver the bulky pallet through my garden gate and I worried that it wouldn’t fit. As he drove away, leaving me with box after box of my new encaustic book I thought, not for the first time, “What have I done?”

It all started about 5 years ago when one of my students mentioned that she couldn’t find an encaustic book with step-by-step instructions for beginners. That got me thinking that it wouldn’t be too hard to put one together, especially with the new print-on-demand services that had recently become available for self-publishing books online. Using this service they would be printed as they were purchased, so I would never need to print a large number of books. By that evening I had decided which service to use, downloaded the software and purchased the Internet domain name Embracing Encaustic.”

Read the whole article online. It’s a very inspiring magazine, so please share it with your friends!

When you mix colors do you tend to make nothing but mud? There’s a class for that! (and a quick tip below…)

On June 19 from 6 – 9 pm I’m hosting guest instructor and color expert Kimberly Kent in my Portland, Oregon studio to help you expand your painting palette while you develop your color sensibility.

Learn to mix, glaze and see color better. The exercises and techniques in this class will give you new tools for understanding how to mix just the color you need. You’ll work in encaustic paint in this class, but these concepts can be applied to color mixing in any medium. Find out more about my classes or register here.

How to Avoid Making Mud

Here’s a great example of the tips you’ll learn in this class: To avoid making mud, mix two primaries first. Once you get as close as you can to your desired color add the third primary. For example, mix yellow and blue to make green, then a touch of red to get the green you want. Just a few tips like this will have you mixing colors like a pro!

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Linda Womack offers encaustic workshops in her Portland, Oregon studio as well as online encaustic classes at RobertsonWorkshops.com.

Last week I hosted a 5-day Wax Week Mixed Media workshop in my Portland, Oregon studio. I usually travel across the country offering this workshop at schools like Idyllwild Arts in California and Arrowmont School of Arts & Crafts in Tennessee, but I needed some time off from all the packing and unpacking so I invited students to come visit me this year.

Students from Washington, California, Colorado and Texas joined in the fun working with encaustic paint, paper, pastels, stamps, pigment sticks, inks, encaustic monotypes, wax scrolls and more! Here are a few photographs from the June session.

If you missed this Wax Week class you have another chance in August when the weather in Portland will be spectacular for a visit. Come join us!

Dawn adds texture and color to her panel

A few of the 5 foot long wax scrolls we created, Karen on left, Laura on right

Read the rest of this entry »

Fun with friends: (back) Kimberly Kent and Bill Womack, (front) Linda Robertson, Judy Wise and Jess Greene.

I met Jess Greene at the encaustic conference last year when she was just starting to figure out what she wanted next in her life. I’ve been thrilled to watch her fulfill her dream of providing some really interesting projects centered around helping people become more creative.

My online encaustic courses are listed on her SeekYourCourse.com web site and she’s about to launch a nationwide project called the Jumpstart Creativity Tour which will have a stop in my town of Portland, Oregon this summer. Read on for more information about Jess’ exciting projects and how you can get involved.

Jumpstart Creativity Tour with Jess Greene

Don’t Miss the Jumpstart Creativity Tour with Jess Greene!

From Jess: In college, art classes were only for the art majors so despite my interest there never was room for me. And the desire was only a whisper anyway. I was pursuing other things.

A few years after college, when I was a science teacher, I started reading artist blogs. Blogging gave me a window into the lives and work of artists in a way that finished work in a gallery never could. I started feeling a strong desire to paint. Then I finally did. I went to an art retreat and my world shifted. Suddenly there was the possibility of making art in a supportive community of other creatives.

Read the rest of this entry »

I enjoyed a great party last night at the 24th annual Cascade AIDS Project Art Auction in support of the fight against HIV/AIDS. CAP’s Art Auction is the social event of the year in Portland. There was great food, wine, music, dancing, and art. Some 250 artworks were juried into the live and silent auctions, including one of my paintings pictured here, called Watching Light Leave.

Here are some photos from the event. Enjoy!

Carolyn Butters, Andrea Schwartz-Feit (with her painting lower left) and Kris Butters of Butters Gallery are always fun to hang with.

Janet Amundson Splidsboel

Easily the funniest event of the night was when I saw some crazy woman running her hands all over Janet Amundson Splidsboel’s beautiful encaustic painting. Up went my hackles and I stormed over ready to tackle her! I got there about the same time as security only to discover it was the artist herself, buffing her painting with the palm of her hand. In the bright light she had noticed a spot on the surface that was driving her nuts. We all had a good laugh and I told Janet it was a great publicity stunt. She suggested to the security guard that they meet up and do it again later. Well done!

I had a similar experience once too. I once sold a painting while fixing a chip that went unnoticed until the opening. The gallery set me up for an impromptu demo as I was fixing the work and it sold before the wax was cool. Art marketers, take note!

Enjoying a great time with (me), Jane Pagliarulo, Kindra Crick and Karl Kaiser

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Linda Robertson offers encaustic workshops in her Portland, Oregon studio as well as online encaustic classes at RobertsonWorkshops.com.

What a party! Last weekend there was a huge grand opening party at the eagerly awaited Mark Woolley Gallery where one of my paintings has already sold. Long time Portland art broker and gallerist Mark Woolley opened this new space as part of The Settlement galleries in Pioneer Place. For those of you were able to visit my “Spots of Time” show at People’s Art, Mark’s new gallery is on the same floor. Make sure you also have time to visit Place, another gallery on the same floor with a fantastic show this month (photos below).

Read the rest of this entry »

Becoming More, 24 x 48, encaustic on panel, (c) Linda Robertson

A show of my new work, along with the work of my student and friend Fred Swan, has been up for a few weeks now with a wonderful response. Fred and I will be interviewed by show Co-Curator Chris Haberman this Saturday at the gallery from 2 – 4 pm to give the audience some insight into how this show came about and how each of us interpreted the theme.

Seeking Solitude, 11 x 14, encaustic on panel

Artist Talk
People’s Art of Portland
700 SW 5th Avenue, 3rd Floor
Pioneer Place Mall, Portland, OR
March 31, 2 – 4 pm

The concept for this show comes from what the English poet William Wordsworth called “Spots of Time” which he saw as small, memorable events that occur mainly when we are in touch with nature. According to Wordsworth these spots have lasting quality and are capable of  “lifting us up when we are fallen.”

In that spirit, Fred and I collaborated on a window installation by creating multiple panels of paper and wax that are thin enough for natural light to penetrate, filling the space with energy and movement. In using this thin paper we traded some durability for dynamism, but we encourage viewers to gently touch the panels and make them move. Many of the panels also have holes which allow you to peer through and experience your own spots of time.

Fred and I worked in my studio to complete the panels we had each started separately, and bring them together into a cohesive concept for the show.

Read the rest of this entry »

Earthly Hopes, 12 x 28, encaustic on panel by Linda Womack

A show of my new work will open next month, also featuring the abstract encaustic paintings of one of my students and friends, Fred Swan. Many thanks to our curator Chris Haberman for coming up with the title of the show which comes from a concept the English poet William Wordsworth called “Spots of Time.” These are small, memorable events that occur mainly outdoors and in touch with nature. According to Wordsworth these spots have lasting quality and are capable of “lifting us up when we are fallen.”

Read the rest of this entry »

What a week! It’s true that events in December tend to clump and overlap, looking for just the right day to stand out from the crowd, but last week was one of the busiest I’ve had in a while. I had art openings on 3 consecutive days, with lots of art and excitement to go around.

Portland Visual Art Exchange

Lisa Kaser, Tuque, wax & felt

Lisa Kaser, Tuque, wax & felt

I was thrilled to be invited again this year to the 6th Annual Portland Visual Art Exchange. A big thanks to Becca Bernstein, Sally Finch, TJ Norris and all their volunteers for all of their hard work!

Over 50 artists were invited to exhibit one piece of original work in a week-long, invitational show hosted at the Littman Gallery at Portland State University (PSU). The exhibit culminated in an art trade and public reception where the participating artists went home proud new collectors from some of the most talented artists in Portland.

I was thrilled to receive a wax and felt sculpture by Lisa Kaser, and my work went home with Bill LePore, Chair of the Art Department and Professor of Art at PSU.

Oakridge Park Opening

Four of my paintings are featured in the third floor lobby of Oakridge Park

Shadows Reveal, 36 x 48, Encaustic on panel

We celebrated the opening of Oakridge Park last week with 45 new apartments serving Lake Oswego area seniors who earn modest incomes. This is my second project with Northwest Housing Alternatives (NHA) who provide a wide range of affordable housing  options and have the foresight to include original art by local artists in many of their projects. I’m honored to work with them through Kent Art Brokers.

The Big 200 Art Show


One of my 10 paintings for The Big 200

A big thanks to Chris Haberman and and Jason Brown for inviting me to be in The Big 200 Art Show (formerly The Big 100), hosted by People’s Art of Portland. I’m guessing that name may change again as there were over 250 artists by last count and over 2,500 art work available at the show.

Invited artists are each given 10 small wood panels and let loose to create whatever they like, knowing that all panels will sell for just $40 each in order to allow just about anyone to afford an original piece of art. This is an exciting show because when the art is hung there are no names included with the work which evens the playing field. Art from a very well known artist may be sitting right  next to that of someone in their first art show, but all you need to care about is DO YOU LIKE THE WORK? I love this idea. The show was absolutely packed and my husband and I came home with 4 beautiful new paintings, all by artists who are new to us. The show is up through January 10 so check it out if you can!

One of my panels in place on the BIG wall, middle row, second from right

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RobertsonWorkshops.com online video classes bring Linda Robertson, an art teacher with international experience, right into your studio. Work at your own pace and watch the videos as many times as you want for a whole year.

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My Books: Embracing Encaustic Series

There are now two books under the Embracing Encaustic title, Learning to Paint with Beeswax and the new title Advanced Techniques for Mixing Media, each focusing on specific encaustic techniques. Between the two books there are a total of 70 artists who share their work, reveal their personal painting methods and explain why they are compelled to make the work they do.Find out more and purchase them online here.

Embracing Encaustic: Learning to Paint with Beeswax
By Linda Robertson

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