You are currently browsing the category archive for the ‘Linda Womack’ category.

Online encaustic classes at RobertsonWorkshops.com

Online encaustic classes at RobertsonWorkshops.com

Great news! My online encaustic classes are now available by the class or by the lesson, allowing you to purchase exactly what you need. A few lessons are as little as $5 and each class page has at least one free bonus video. 

Each page has a free excerpt from the class plus at least one free bonus video! Check them out here: http://www.RobertsonWorkshops.com/

Are you new to encaustic? Not a problem! You should know that encaustic is one of the oldest forms of painting, with paint made from pure pigment mixed with beeswax and resin. The mixture is applied hot, and then reheated to fuse the layers together. It’s one of the most forgiving mediums available, allowing you to “undo” virtually anything, giving you the freedom to be fearless and let your creativity flow. My online encaustic classes will get you started working in this beautiful and unique medium in no time.

Online encaustic classes at RobertsonWorkshops.com

Online Encaustic & Shellac class at RobertsonWorkshops.com

Advertisements

11-Robertson-finished-painting
I’m so excited to be a guest blogger on the StencilGirl blog today! I’ll show you how to make this painting, step-by-step, using Enkaustikos wax, pigment and watercolor through the beautifully designed StencilGirl heat resistant stencils. View the full blog post here.

I’m also working with Enkaustikos to create the Linda Robertson Encaustic Kit that will include my favorite Enkaustikos colors, several tools, brushes, a StencilGirl stencil, and a PanPastel color plus an online video class showing you how to use all of it together! Please join my mailing list  or “like” me on Facebook to be notified when the encaustic kit is available, and also to get updates on the release of my new eBook and online classes.

______________________________________

Linda Robertson offers encaustic workshops in her Portland, Oregon studio as well as online encaustic classes at RobertsonWorkshops.com.

mm-frontI’m happy to announce my inclusion in a new book called 101 Mixed Media Techniques that’s just been published by Water-Foster. This expansive book features many talented mixed media artists and I’m excited to be among those invited to participate. I was in charge of the section on encaustic, focusing on mixing wax with other media. I created projects that incorporate charcoal, graphite, dried plants, rubber stamps, felt, fabric and foil.

[Please note that this is NOT the new version of my previous book, Embracing Encaustic. I’m still working on that and will have an update here soon!]

Printed books still take a long time to publish, so I had agreed to do the book quite a while ago when things were going a little bit easier in my life. When it was time to do the actual projects and photographs things were much more complicated, but a deadline is a beautiful thing sometimes, especially for me!

My wonderful friend Kimberly Kent helped me so that I could take the photographs as she demonstrated the techniques under my direction. Doesn’t she have beautiful hands? And it doesn’t hurt that she and I have been friends for a long time so we had fun doing it. Another bonus is that she’s a very talented painter in her own right so she knows exactly how to hold the tools and what I was trying to teach through the photographs. Also, we might have had some wine.

I’m really happy with how the book came out and I hope you’ll get a chance to see it in person. I have a few copies for sale in my studio so if you take a class in my studio ask if I have any available. Otherwise you can get it at Amazon.com or through local bookstores.

What it really looks like in my studio when shooting photographs or video.

What it really looks like in my studio when shooting photographs or video.

MM-in-quilt______________________________________

Linda Robertson offers encaustic workshops in her Portland, Oregon studio as well as online encaustic classes at RobertsonWorkshops.com.

OK folks, this is it, the show everyone in Portland is talking about! Join me this Saturday for this epic annual show that is also a fundraiser for the Oregon Food Bank. Peoples Art of Portland, Po Boy Art/Jason Brown, and Chris Haberman present…

The BIG 400 Show
400+ Artists
4000+ Pieces of art
ALL ART IS $40
Cash / Credit and Carry
BIG opening Sat. Dec 14th at 2pm (until 9pm)
Bring canned food for free entry
Yes indeed, all art is only $40 so why would so many well known artists participate in an event where their art sells for so little year after year? Aside from the great fund raising part, it’s because it’s such a unique show and all about the art. All work is the same size and price and no names are displayed so your choice is simple, if you like the art BUY THE ART without concerning yourself with who made it and what their credentials might be. New collectors of original are born out of this show every year.
I use these pieces to do experiments and smaller sketches for new projects throughout the year, and continue working with what I like best about each of my 10 panels. Come join me in a friendly race to find the perfect present at a perfect price! Here’s a preview of some of mine this year. I hope to see you there!
cls_hand-color-group
Peoples Art of Portland Gallery
700 SW Fifth (3rd floor)
Pioneer Square Mall, downtown Portland
open Thurs-Sun 12-6pm
show runs through Jan 12th

______________________________________

Linda Robertson  offers encaustic workshops in her Portland, Oregon studio as well as online encaustic classes at RobertsonWorkshops.com .

Last week I had the pleasure of working with a wonderful people and pet photographer, Pauline Zonneveld, who booked time with me for a private consulting session to bring her vision of pairing encaustic and photography to life. She did her homework and  brought a variety of images she liked cut out from magazines. This gave us a good basis to start with and from there I helped Pauline decide on a process and we talked about how to start developing her own distinctive style.

I took Pauline through a couple of different ways to get a look similar to what she liked. She decided that image transfers would be the best route for her based on the equipment she already has, so we got to work.

Here’s what she came up with. This photo was taken right after Pauline did a great little dance saying “Yes, that’s exactly what I wanted!” Well done Pauline!

My August sessions are already booked but if you’d like to work with me in September or later check my website for ideas of what you might want to cover and how to register. This is ideal for artists who can’t make it to my regular workshops or those visiting the area who need to work within a specific schedule.

cls_private-pauline
BTW, Pauline is the photographer who took these amazing images of my 12 year old lab Sadie for her inspiring Good Old Dog Project.

Sadie   Sadie close up

pub_lw-casualIt’s been way too long since I sent out an update on what’s happening with my art and my life but honestly I wasn’t really sure what to say. Those of you who follow me on Facebook may know that the past several months have held a lot of challenges for me including major changes to just about every part of my personal and professional life.

I’ve moved my home and studio, I’m single again after 20 years (yikes!) and am taking back my given name of Linda Robertson. I’ll use Linda Robertson Womack for a while so you’ll see that transition happen gradually, but I’ve already activated the web address for lindarobertsonarts.com. Baby steps, right?

All of these changes have dramatically slowed the many projects I was working on last year and I’m just starting to get everything back on track now, but I thought you’d want an update even if it’s not all worked out yet. Read on for what to expect in the coming months.

I also want to thank so many of you who have sent me words of encouragement over the last few months. I’ve read every message and responded to as many as I could but I know I missed some of you and for that I apologize. Your words have helped me more than you know and I truly am grateful for your good thoughts.

So, What’s Happening With…?

I’ve been hearing this question a lot lately on several subjects. Here’s the scoop:

New, New Studio Location

Wait, didn’t you just move your studio last summer? Why yes, yes I did. Then I bought a new house in completely the wrong direction from the new studio. The good news is that now I have a great studio space at home less than 5 miles from my long time Stark Street studio so it should still be convenient for everyone. Here’s a photo of what it look like now. I’ll be working hard this week putting on a few finishing touches.

Live Workshops

Speaking of classes, I just posted my full summer schedule which includes two Wax Week classes in Portland. I’ll offer a 5-day class exploring Encaustic & Photography in June and another 5-day class on Mixed Media in July. Seats will be very limited so if you’d like to join in don’t wait!

Embracing Encaustic eBook

Ah yes, the eBook. This project really got hit hard and has been long delayed. I’ve been in contact with the amazing artists who will be featured in the eBook and they have been extremely supportive of my new circumstances. I won’t try to give you a publishing date just yet but I will say this will be the top priority for me once my studio is settled so it’s coming soon, I promise! Thanks to all of you who are so excited to see the new version. I’m pretty excited to see it myself.

Online Classes

It’s making me crazy that I had just finished filming the new surface design class when everything went south. It turned out really well and I can’t wait to share it with you. I still need to get it edited and write all the class notes which will take some time, but I’ll get it online as soon as I can.

In the meantime those of you who have already bought online classes can rest easy, your classes won’t expire anytime soon so please enjoy them while I work out the process of how these will work going forward. That goes for everyone right now, so if you’re thinking about joining our online community now is the time to get extra time in the classes — each just $49! (And yes, I know the name will have to change, but I haven’t figured that part out yet. I’m open to suggestions!)

ImageI’m happy to announce the completion of a new commission work for the main lobby of Gray’s Landing, a mixed-use building in Portland’s South Waterfront by REACH Community Development. Gray’s Landing provides vital new homes for Portland’s low-income workers and veterans.

This was a fascinating project! I’m one of five artists who were awarded the commission by Kent Art Brokerage to interpret a waterfront scene using different strips of the same photograph to make up the whole. We each worked in a different medium and interpreted our part of the photograph in our own style. The overall image we created is a scene you would see if there were a window where the art is installed. My fellow artists include Theresa Andreas-O’Leary, Tim Combs, Renee Hartig and Patrick Noe.

Gray’s Landing Grand Opening
Dec. 14, 2012, 3-5pm
Program is at 3:30
0650 SW Lowell, Portland, OR
Directions and more info

A few photos taken while making the work: checking the horizon line measurement and trying out a plant image to transfer.

A few photos taken while making the work: checking the horizon line measurement and trying out a plant image before making the transfer.

Image

Here are 4 of the 5 paintings before installation (R-L) by Tim Combs, Linda Womack, Renee Hartig and Theresa Andreas-O’Leary.

Great news! I’ve decided to reissue my book, Embracing Encaustic: Learning to Paint with Beeswax, as an electronic book (eBook) for the third edition.  This will allow me to create a more comprehensive and less expensive book that will be available for immediate download by artists all over the world. It will be available through Amazon.com and readable on Kindle readers, iPads and other devices with Kindle software.  Publishing as an eBook will also allow me to greatly expand our Gallery section to include many more inspiring works by artists from several countries.

Choosing the artists for the new edition of Embracing Encaustic was challenging job, but in the end I selected 70+ pieces from over 150 artists who submitted work. Because of the file size limitations for downloading an eBook many fine works could not be included in this edition.

Some tough decisions had to be made, for example, where images simply wouldn’t reproduce well because of the palette or size of the work or where two artists work were too similar to include both. If your name is not included on the list of artists below, please don’t be discouraged as it was impossible to include all the deserving artists.

Congratulations to these fine artists whose work will be published in the new edition of Embracing Encaustic! Read the rest of this entry »

ImageThis weekend I attended the International Encaustic Artists annual conference called encaustiCon, in San Antonio Texas. It was a wonderful event with lectures, workshops, networking events and a great vendor room. I highly recommend it!

A highlight of the event was their banquet which included presentation of the first annual La Vendéenne awards, where I was thrilled to win a trophy in the Media category.

The La Vendéenne Awards were named in honor of a fourth century AD encaustic painter whose remains, along with her encaustic tools, were found in the La Vendée region of France. The awards are intended to “recognize outstanding contributions to the advancement and practice of encaustic art.”

Awards were presented in several categories, and here are the winners!

Artistry: Martin Kline
Innovation: Ann Huffman
Education: Douglas Mehrens
Media: Linda Robertson (Womack)
Lifetime Achievement: Jasper Johns

The jurors for the award included Gail Stavitsky, Chief Curator of the Montclair Art Museum (NJ), Paula Owen, President & CEO of the Southwest School of Art (TX) and David S. Rubin, Curator of Contemporary Art at The Brown Foundation (TX). The beautiful trophy was crafted by James Meyer, an extremely generous and gifted artist and studio assistant to Jasper Johns. I have to admit, part of me wants to press the trophy into wax. Is that wrong?

Image

Passion Spares Nothing, 11 x 14, encaustic by Linda Womack, featured in Dr. Stavitsky’s slide show at encaustiCon.

As happy as I was to win the award, I was equally thrilled to see my work appear during the keynote speech, in Dr. Stavitsky’s slide show about contemporary encaustic work. You may recognize her name from the groundbreaking exhibition she curated  in 1999 called Waxing Poetic, Encaustic Art in America.  Waxing Poetic featured more than fifty artists whose content, style and subject matter differed widely but whose medium of choice was the same, wax. That show was the first introduction to encaustic for many gallery owners, reviewers and other artists.

The International Encaustic Artists 2013 encaustiCon, will be held in Santa Fe, New Mexico, at the Eldorado Hotel from Oct. 31st ~ Nov. 3rd, 2013. Will I see you there?

______________________________________

Linda Womack offers encaustic workshops in her Portland, Oregon studio as well as online encaustic classes at RobertsonWorkshops.com

When you mix colors do you tend to make nothing but mud? There’s a class for that! (and a quick tip below…)

On June 19 from 6 – 9 pm I’m hosting guest instructor and color expert Kimberly Kent in my Portland, Oregon studio to help you expand your painting palette while you develop your color sensibility.

Learn to mix, glaze and see color better. The exercises and techniques in this class will give you new tools for understanding how to mix just the color you need. You’ll work in encaustic paint in this class, but these concepts can be applied to color mixing in any medium. Find out more about my classes or register here.

How to Avoid Making Mud

Here’s a great example of the tips you’ll learn in this class: To avoid making mud, mix two primaries first. Once you get as close as you can to your desired color add the third primary. For example, mix yellow and blue to make green, then a touch of red to get the green you want. Just a few tips like this will have you mixing colors like a pro!

______________________________________

Linda Womack offers encaustic workshops in her Portland, Oregon studio as well as online encaustic classes at RobertsonWorkshops.com.

Last week I hosted a 5-day Wax Week Mixed Media workshop in my Portland, Oregon studio. I usually travel across the country offering this workshop at schools like Idyllwild Arts in California and Arrowmont School of Arts & Crafts in Tennessee, but I needed some time off from all the packing and unpacking so I invited students to come visit me this year.

Students from Washington, California, Colorado and Texas joined in the fun working with encaustic paint, paper, pastels, stamps, pigment sticks, inks, encaustic monotypes, wax scrolls and more! Here are a few photographs from the June session.

If you missed this Wax Week class you have another chance in August when the weather in Portland will be spectacular for a visit. Come join us!

Dawn adds texture and color to her panel

A few of the 5 foot long wax scrolls we created, Karen on left, Laura on right

Read the rest of this entry »

Update: I’ve been notified that I’m a finalist for a La Vendéene award from the IEA (International Encaustic Artists)! The awards are intended to “recognize outstanding contributions to the advancement and practice of encaustic art.” Awards will be presented in early September at their encaustiCon event in San Antonio, TX. Wish me luck!

The La Vendéene Awards are created in honor of a fourth century AD anonymous female encaustic artist whose remains were found, along with the tools of her art, in the La Vendée region of France. The awards are intended to recognize outstanding contributions to the advancement and practice of encaustic art.  Nominees do not have to be International Encaustic Artists members. IEA will present awards to no more than one nominee in each category: Artistry, Innovation, Education, Media, Lifetime Achievement.

______________________________________

Linda Robertson offers encaustic workshops in her Portland, Oregon studio as well as online encaustic classes at RobertsonWorkshops.com.

This video was made during a visit of the Dalai Lama to Hawaii and is a wonderful introduction to the idea of Living Aloha that was instilled in me growing up in the islands. For those of you who ask how my life there has influenced me and my art, this is a big part of it. Enjoy!

I enjoyed a great party last night at the 24th annual Cascade AIDS Project Art Auction in support of the fight against HIV/AIDS. CAP’s Art Auction is the social event of the year in Portland. There was great food, wine, music, dancing, and art. Some 250 artworks were juried into the live and silent auctions, including one of my paintings pictured here, called Watching Light Leave.

Here are some photos from the event. Enjoy!

Carolyn Butters, Andrea Schwartz-Feit (with her painting lower left) and Kris Butters of Butters Gallery are always fun to hang with.

Janet Amundson Splidsboel

Easily the funniest event of the night was when I saw some crazy woman running her hands all over Janet Amundson Splidsboel’s beautiful encaustic painting. Up went my hackles and I stormed over ready to tackle her! I got there about the same time as security only to discover it was the artist herself, buffing her painting with the palm of her hand. In the bright light she had noticed a spot on the surface that was driving her nuts. We all had a good laugh and I told Janet it was a great publicity stunt. She suggested to the security guard that they meet up and do it again later. Well done!

I had a similar experience once too. I once sold a painting while fixing a chip that went unnoticed until the opening. The gallery set me up for an impromptu demo as I was fixing the work and it sold before the wax was cool. Art marketers, take note!

Enjoying a great time with (me), Jane Pagliarulo, Kindra Crick and Karl Kaiser

______________________________________

Linda Robertson offers encaustic workshops in her Portland, Oregon studio as well as online encaustic classes at RobertsonWorkshops.com.

What a party! Last weekend there was a huge grand opening party at the eagerly awaited Mark Woolley Gallery where one of my paintings has already sold. Long time Portland art broker and gallerist Mark Woolley opened this new space as part of The Settlement galleries in Pioneer Place. For those of you were able to visit my “Spots of Time” show at People’s Art, Mark’s new gallery is on the same floor. Make sure you also have time to visit Place, another gallery on the same floor with a fantastic show this month (photos below).

Read the rest of this entry »

Join My Mailing List

Online Encaustic Classes



RobertsonWorkshops.com online video classes bring Linda Robertson, an art teacher with international experience, right into your studio. Work at your own pace and watch the videos as many times as you want for a whole year.

Categories

My Books: Embracing Encaustic Series

There are now two books under the Embracing Encaustic title, Learning to Paint with Beeswax and the new title Advanced Techniques for Mixing Media, each focusing on specific encaustic techniques. Between the two books there are a total of 70 artists who share their work, reveal their personal painting methods and explain why they are compelled to make the work they do.Find out more and purchase them online here.

Embracing Encaustic: Learning to Paint with Beeswax
By Linda Robertson

Archives

Follow Me on Twitter