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invisible forces-sm

Invisible Forces, 12 x 9, encaustic/mixed media by Linda Robertson

I’m excited to announce that my work will be included in the 50 States | 200 Artists exhibition, opening this Saturday at the Museum of Encaustic Art in Santa Fe, New Mexico. After the exhibit, it will remain as part of the Museum’s permanent collection.

July 20 – Sept 15, 2019
50 States/200 Artists
Museum of Encaustic Art
632 Agua Fria, Santa Fe, New Mexico

This painting, Invisible Forces, is a favorite and I’m thrilled to have it included in  the museum’s permanent collection. I created it while I was feeling overwhelmed, with too many commitments and requests for my time. As an artist I need time to consider what I’m making and need too be able to explore and refine my work. It’s important for me to protect myself from too much input and cultivate enough quite time to be truly creative.


Linda Robertson is a painter and the author of the Embracing Encaustic book series. She offers live encaustic workshops in her Portland, Oregon studio as well as online encaustic classes.

It may be cold outside but it’s warm in my studio! The more art I create the more I have to show so I have a few new events coming up:

Spring Studio Party


Saturday, April 21, 2018
from 1 – 6 pm
FREE Encaustic Demo at 2pm
12717 NE Clackamas St, Portland, OR
Just south of NE 126th & Halsey

I’ll be showing my latest encaustic paintings plus smaller originals, framed reproductions and note cards that make great gifts. You’ll also be able to register for my studio classes and buy gift cards for your friends and family. There is no charge for this event and as always, kids are welcome. Bring your friends too!


New Work at Sidestreet Arts


April 4 – May 26, 2018
Reception: May 4, From 6 – 9 pm
140 SE 28th at Ash, Portland, Oregon

Sidestreet Gallery has evolved (and expanded) into Sidestreet Arts, a collective of 12 local artists. I’m honored to be included in this upcoming show in their small works gallery. They have a huge variety of styles and prices, making it easy to treat yourself or a lucky friend to the gift of original art.

I hope to see you at the opening reception May!



Portland Open Studios

October 13/14 and 20/21, 2018

I just got word that I’ll be part of the 20th anniversary tour for Portland Open Studios! This will be my 6th year showing my studio and my techniques with encaustic and Mixed Media. More details soon.


Linda Robertson is a painter and the author of the Embracing Encaustic book series. She offers live encaustic workshops in her Portland, Oregon studio as well as online encaustic classes.

It’s been a busy few months! Even with a full schedule of encaustic classes I’ve been spending lots of time in my studio, preparing for a show of my new paintings which opens this week in Portland Oregon.

It has always been a priority for me to live close to inspiring natural areas because of the impact it has on my work and my state of mind. Being surrounded by such beauty has always had a strong influence on the colors, textures, and forms that I incorporate into my paintings. I feel the pull to paint my impressions of these places even when they are just a warm memory on a cold day.

Piercing the Sky, 36 x 48 in, mixed media. Sculpture by Christopher B. Wagner.

When Words Fail, 8 x 8 in., mixed media

My new show exploring these themes is now open in Portland Oregon. I hope you’ll join me for the reception tonight or for my artist talk in November. Here are the details:

Guardino Gallery
Reception: Thurs, October 26, 6 – 9 pm
Artist Talk: Sat, November 11 at 2 pm
2939 NE Alberta St, Portland, Oregon
Tue: 11-5pm; Wed-Sat: 11-6pm; Sun 11-4pm; Closed on Monday
The show runs through November 19, 2017

This is the gallery that gave first solo show in Oregon many, many years ago and I’m thrilled to share my new work there. I hope you’ll get a chance to see the show.


Linda Robertson is a painter and the author of the Embracing Encaustic book series. She offers live encaustic workshops in her Portland, Oregon studio as well as online encaustic classes.

Last month I had the pleasure of participating in a wonderful storytelling group where we all shared the adventures of dogs in our lives, both past and present. This was conceived by my talented friends by Fred Swan and Stan Peterson who are both well loved artists in Portland Oregon. The event, called Dog Tales was an intimate experience that lead to knowing more about my fellow artist that I would have ever learned during those brief conversations we’re able to have during gallery openings.

Happy Together No Matter the Weather (left) and A Friend for All Seasons (right) by Linda Robertson. Both 24 x 24 in., acrylic on canvas. $425 each, framed.

This event was the seed for the new show called Dog Park on view until March 21 at the Ford Gallery. I have two new paintings in the show which express my enthusiasm for my canine companions over the years. I created these in the same style as my recent encaustic paintings, but just to shake things up I worked in acrylic with which I have very little experience. The process was alternately fun and pretty darn awful, but I eventually found my rhythm and I’m very happy with the results.

dog-park-show-ipadI often try new mediums and methods to remind myself how it feels to try something completely new because I think it makes me a better teacher and artist. This project was an especially good reminder that sometimes I just need to keep working at a problem until I figure it out, no matter how frustrated I might get.

As an added bonus, a friend let me play with Illustrator on her iPad so I could quickly try different colors for the silhouette in one of my paintings. Very fun!

I hope you’ll catch the show if you can. More than 30 artists are represented using a variety of styles to celebrate the dogs that fill their hearts with love.

Ford Gallery
2505 SE 11th Ave, Portland, OR
Show runs through March 21


Linda Robertson is a painter and the author of the Embracing Encaustic Book series and she offers live encaustic workshops in her Portland, Oregon studio as well as online encaustic classes.

OK folks, this is it, the show everyone in Portland is talking about! Join me this Saturday for this epic annual show that is also a fundraiser for the Oregon Food Bank. Peoples Art of Portland, Po Boy Art/Jason Brown, and Chris Haberman present…

The BIG 400 Show
400+ Artists
4000+ Pieces of art
Cash / Credit and Carry
BIG opening Sat. Dec 14th at 2pm (until 9pm)
Bring canned food for free entry
Yes indeed, all art is only $40 so why would so many well known artists participate in an event where their art sells for so little year after year? Aside from the great fund raising part, it’s because it’s such a unique show and all about the art. All work is the same size and price and no names are displayed so your choice is simple, if you like the art BUY THE ART without concerning yourself with who made it and what their credentials might be. New collectors of original are born out of this show every year.
I use these pieces to do experiments and smaller sketches for new projects throughout the year, and continue working with what I like best about each of my 10 panels. Come join me in a friendly race to find the perfect present at a perfect price! Here’s a preview of some of mine this year. I hope to see you there!
Peoples Art of Portland Gallery
700 SW Fifth (3rd floor)
Pioneer Square Mall, downtown Portland
open Thurs-Sun 12-6pm
show runs through Jan 12th


Linda Robertson  offers encaustic workshops in her Portland, Oregon studio as well as online encaustic classes at .

What a party! Last weekend there was a huge grand opening party at the eagerly awaited Mark Woolley Gallery where one of my paintings has already sold. Long time Portland art broker and gallerist Mark Woolley opened this new space as part of The Settlement galleries in Pioneer Place. For those of you were able to visit my “Spots of Time” show at People’s Art, Mark’s new gallery is on the same floor. Make sure you also have time to visit Place, another gallery on the same floor with a fantastic show this month (photos below).

Read the rest of this entry »

Becoming More, 24 x 48, encaustic on panel, (c) Linda Robertson

A show of my new work, along with the work of my student and friend Fred Swan, has been up for a few weeks now with a wonderful response. Fred and I will be interviewed by show Co-Curator Chris Haberman this Saturday at the gallery from 2 – 4 pm to give the audience some insight into how this show came about and how each of us interpreted the theme.

Seeking Solitude, 11 x 14, encaustic on panel

Artist Talk
People’s Art of Portland
700 SW 5th Avenue, 3rd Floor
Pioneer Place Mall, Portland, OR
March 31, 2 – 4 pm

The concept for this show comes from what the English poet William Wordsworth called “Spots of Time” which he saw as small, memorable events that occur mainly when we are in touch with nature. According to Wordsworth these spots have lasting quality and are capable of  “lifting us up when we are fallen.”

In that spirit, Fred and I collaborated on a window installation by creating multiple panels of paper and wax that are thin enough for natural light to penetrate, filling the space with energy and movement. In using this thin paper we traded some durability for dynamism, but we encourage viewers to gently touch the panels and make them move. Many of the panels also have holes which allow you to peer through and experience your own spots of time.

Fred and I worked in my studio to complete the panels we had each started separately, and bring them together into a cohesive concept for the show.

Read the rest of this entry »

Earthly Hopes, 12 x 28, encaustic on panel by Linda Womack

A show of my new work will open next month, also featuring the abstract encaustic paintings of one of my students and friends, Fred Swan. Many thanks to our curator Chris Haberman for coming up with the title of the show which comes from a concept the English poet William Wordsworth called “Spots of Time.” These are small, memorable events that occur mainly outdoors and in touch with nature. According to Wordsworth these spots have lasting quality and are capable of “lifting us up when we are fallen.”

Read the rest of this entry »

In November 2009 I had a big show of my encaustic paintings up at Guardino Gallery (2939 NE Alberta Street, Portland, Oregon). Below is a video tour from the opening reception to give you an idea of what it looked like.

If you enjoy it, please pass it on to your friends! The beautiful ceramic sculptures were created by Sara Swink.

OK, is it wrong to begin with my own show? No? You are so kind. Here are a few photos from the opening of my solo show, Chasing Time, at Cube Gallery which closes on March 31.

Gallery owner Kimberly Kent and I sampled a little wine as we set up

Gallery owner Kimberly Kent and I sampled a little wine as we set up


Marcy Baker and I discussing a painting

Marcy Baker and I discussing a painting



By the time things really packed in there I couldn’t get to the camera anymore so these will have to do. The next night I attended two more wonderful shows. My friend Sheary Clough Suiter, who I met at the encaustic conference last year, was down form Alaska for her opening at the Attic Gallery in downtown Portland. This show closes March 28.

Me, Amy Stoner and Sheary, with her paintings in the background

Me, Amy Stoner and Sheary, with her paintings in the background

Sara and her buddy for the evening

Sara and her buddy for the evening

I also popped over to the always excellent Beet Gallery to visit Sara Swink and her quirky and evocative ceramic sculptures. I’m paired with Sara in my November show at Guardino Gallery in Portland. We’re talking about working on a collaborative piece for the Guardino show so we’ll have to start experimenting soon…

Also not to be missed this month (but I haven’t been there yet!):

Betsy Eby at Winston Wachter (Seattle)

Da Vinci: The Genius at OMSI (Portland)

Chris Reilly at Scott White Contemporary (San Diego)

Did i miss something? Leave a comment and let everyone know!

This has been a very full month for me but thankfully I’ve still found time to enjoy some terrific art events my friends are participating in here in Portland. Take a look at what’s happening and try to get out to see these shows if you can.

Lorna Nakell

Lorna Nakell

Beppu Wiarda Gallery
319 NW 9th Ave., Portland, OR

Lorna studied at the Otis/Parson Art Institute in L.A. California and received her B.F.A. from Cornish College of the Arts in Seattle. Washington. “My paintings are informed primarily by Abstract Expressionism. They occasionally touch on narrative through the use of subtle figurative imagery including houses, hands and lanterns. Imagery is hand-cut from paper or realistically painted then immersed in layers of resin.” Also showing: Susan Harlan, Kathleen Caprario. See Lorna’s work online.

Eliese Wagner’s “Particle Sphere”

Elise Wagner
Butters Gallery, Portland, OR
Through March 26, 2008

“Particle Maps” is Elise’s ongoing study of science in relation to art. Her encaustic paintings evoke a celestial convergence of science and philosophy, an attempt to understand and connect. Also showing: Bernd Haussmann. See Elise’s work online.

Bridget Benton

Bridget Benton
Mad50 Art Space
SE Madison & 50th, Portland

Bridget’s shadowbox “Migration” was installed at the outdoor Mad50 art space just in time for the spring equinox. Designed specifically for this community art space at the corner of SE Madison and 50th, the piece is an exploration of home – what it means and how we find our way there. You can see more of Bridget’s work at CubeSpace (622 SE Grand Ave, Portland, OR) with an opening for the artist on March 28 from 6 – 8 pm.

The Little Things show at Guardino Gallery is going so well that I had to make more art. This is a problem I want to have! When they held the first reception last week three of my nine pieces had already sold before I arrived. Read the rest of this entry »

For the last three years I’ve participated in Portland Open Studios, a juried tour of 98 artists work spaces which happens in the Portland Metro Area over the second and third weekends in October. My studio will be open on October 13 & 14 from 10 am – 5 pm, and as usual I’ll be doing demonstrations all weekend of different techniques of encaustic painting.

This video was put together by one of our members, Kindra Crick, and posted on YouTube so everyone can get a feel for the different types of art available on the tour this year. As you’ll see here, we have an amazing group of artists!

This is an amazing event, not just because you can visit so many artists working in such diverse media, but because each artist does a live demonstration of their work too. It’s like getting free art classes all over town! You will see artists painting, sculpting, blowing glass, and more, in all kinds of settings from elaborate lake shore studios to modest spaces in houses and garages. You are welcome to ask questions about materials and methods as you watch the artistic mind at work. You will even have a chance to purchase memorable artworks from the artists for a truly personal connection.

Tour Guides are available all over town including Art Media and Powell’s Books as well as from participating artists. Check out the Portland Open Studios web site for more locations and more previews of the artists work. Tour guides are only $15 for two adults for BOTH weekends. Oh, and did I mention that the kids are free? Can’t beat that.

If you’d like to receive a reminder a couple of weeks before the event join my mailing list to receive my monthly newsletter. By joining the list you’ll also receive invitations to my private studios parties.


The studio opening party was a great event and many people wrote to say they hoped I’d get a break and be able to rest after that. Not so fast! I still had to hang my solo show at City Hall yesterday.

Saltzman opening 2

I’m happy to report that all my work is ready for the First Thursday event in Commissioner Dan Saltzman’s office from 5:00 – 7:00 pm tomorrow night. There will actually be several events in one building, with the Commissioner’s showing work in their offices and a big event in the lobby as well.

Saltzman opening 1

The show will be up until the end of July, so if you can’t make it tonight feel free to drop by city hall anytime during normal business hours on Monday through Friday. It’s very casual and the staff is extremely helpful.

While I’m thrilled about this show, it was really hard to dismantle all the work I did in setting up the art in my studio. Of course I can put it all back next month, but for now it looks like The Grinch has been there and didn’t even leave a can of “Who hash.” Here are the before and after photos. Sigh.

Grinch before

Grinch after

I recently returned from the First National Encaustic Conference in Beverly, MA, and what an event it was! There were 140 artists from all over the United States, Canada and Mexico. I met so many new and wonderful people that I’ll need weeks to visit all of their web sites, but that will be a fun “chore.”

Joanne matteraThe conference ran for 3 days at the beautiful Montserrat College of Art and began Friday evening with a keynote speech by Joanne Mattera. She treated us to a slide show of her recent trip to the MET where they house several of the Fayum portraits and an ancient Greek krater depicting an artist painting statues using encaustic techniques. (That will have to be my next trip!)

Joanne’s talk sparked those big, philosophical questions I never seem to have time for when she moved to the topic of artists defining their work through the enacustic medium. I am guilty of this and I didn’t even realize it. Here’s an excerpt from a discussion Joanne started on the topic in the R& F Forum:

“Here’s what concerns me: Some artists who work in the medium have been defining themselves by the medium. Not, “I am a figurative painter,” or “I work in geometric abstraction,” or even, “I’m an abstract painter who works primarily in wax.” No. Typically I hear, “I paint in encaustic.” I love encaustic. But what kind of art do you make? ”

This is a fair question and one which as artists should consider. I sometimes get frustrated when people want only to talk about the technique and not the work itself, but then I hear myself asking the same question of other artists. I think it’s important for me personally to try to remove myself a bit from this love affair with wax and focus on what I’m trying to communicate. Please take a moment to read the complete post, appropriately titled “I am not an encaustic artist,” on Joanne’s insightful blog.

That same night we had a wonderful opening party for the “Hot Stuff”show, juried by Zola Solamete from the Arden Gallery. I’ll leave you with a few photos of that night, but I promise to all more images of the art soon!

Hot Stuff


Hot Stuff show opening


Hot Stuff show opening


Hot Stuff show opening

Hot Stuff show opening


Hot Stuff show opening

My work was damaged in shipping, but they found the chip so a quick hit with the heat gun and it was fixed. What you can’t see here is that I had to repair it with a crowd of people asking me questions, and yes, I’m working on the gallery floor. Let’s call it performance art and move on, shall we?

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My Books: Embracing Encaustic Series

There are now two books under the Embracing Encaustic title, Learning to Paint with Beeswax and the new title Advanced Techniques for Mixing Media, each focusing on specific encaustic techniques. Between the two books there are a total of 70 artists who share their work, reveal their personal painting methods and explain why they are compelled to make the work they do.Find out more and purchase them online here.

Embracing Encaustic: Learning to Paint with Beeswax
By Linda Robertson


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