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When you mix colors do you tend to make nothing but mud? There’s a class for that! (and a quick tip below…)
On June 19 from 6 – 9 pm I’m hosting guest instructor and color expert Kimberly Kent in my Portland, Oregon studio to help you expand your painting palette while you develop your color sensibility.
Learn to mix, glaze and see color better. The exercises and techniques in this class will give you new tools for understanding how to mix just the color you need. You’ll work in encaustic paint in this class, but these concepts can be applied to color mixing in any medium. Find out more about my classes or register here.
How to Avoid Making Mud
Here’s a great example of the tips you’ll learn in this class: To avoid making mud, mix two primaries first. Once you get as close as you can to your desired color add the third primary. For example, mix yellow and blue to make green, then a touch of red to get the green you want. Just a few tips like this will have you mixing colors like a pro!
Last week I hosted a 5-day Wax Week Mixed Media workshop in my Portland, Oregon studio. I usually travel across the country offering this workshop at schools like Idyllwild Arts in California and Arrowmont School of Arts & Crafts in Tennessee, but I needed some time off from all the packing and unpacking so I invited students to come visit me this year.
Students from Washington, California, Colorado and Texas joined in the fun working with encaustic paint, paper, pastels, stamps, pigment sticks, inks, encaustic monotypes, wax scrolls and more! Here are a few photographs from the June session.
If you missed this Wax Week class you have another chance in August when the weather in Portland will be spectacular for a visit. Come join us!
Every summer I hear from students who want to take my encaustic workshops but live too far away to fly in for just one or two days. With them in mind I’m offering Wax Week, a 5-day intensive workshop that combines some of my most popular classes with some brand new techniques that will keep you creating new work for years to come. I’ll have two sessions this summer:
June 4 – 8, Monday - Friday (5 days), 10 am – 4 pm, $750 (full) or
Aug 27 – 31, Monday – Friday (5 days), 10 am – 4 pm, $750 (3 spots left!)
For those students I’ve taught around the country (hello Idyllwild? Arrowmont?) who have asked for another week long intensive class, this is it! No experience is necessary because everyone will learn as we go so you can focus on the projects that interest you the most.
Here’s what we’ll cover:
- Beautiful Backgrounds
- Painting with Pigment Sticks
- Creating Depth with Layers
- Encaustic Monotypes
- Colorful Wax Scrolls
- Individual Consultations
During the last part of the week each student will have the option for a 30 minute private consultation with me to review work, clarify techniques or ask their burning questions. It’s your time with me so you decide how we’ll spend it.
Most supplies will be provided including wax, paint, brushes, paper, boards, and basic encaustic tools. Students will be asked to bring 5 panels of their choice no larger than 11 x 14. You will will receive detailed information on these as well as a list of optional items upon registration.
Space is limited to 4 students and classes fill quickly. More info, photos and register here!
I’ve finally had time to put together some preview videos for our online encaustic classes at WomackWorkshops.com. Take a peek:
That’s right, if you can’t get to my classes in Oregon I’ll come to you online! Get 6 months of access, work at your own pace, get personalized instruction, and interact with a community of like-minded artists. View our class listings and more free videos at WomackWorkshops.com.
I’m thrilled to make my big announcement — my new video workshops are now available online at WomackWorkshops.com!
Our online video classes bring an art teacher with international experience right into your studio. Work at your own pace, get personalized instruction, and interact with a community of like-minded artists. Best of all, every class is just $49 US with six months of access to videos and the class community.
I’ve been teaching in-person in my studio and around the country for years, but availability has always been limited to a handful of students per class. At the same time, so many of you have expressed interest in my workshops over the years with the regret that you live too far away to join me. To solve both of these problems my husband Bill and I decided to offer video classes, delivered online.
Here’s How it Works
- All videos are available immediately so you can work at your own pace.
- Your purchase gives you six months of access to the videos starting the moment you purchase the class.
- The class includes an online forum where you can chat with the instructor and other students, share photos of your work in progress and post finished work.
- The instructor will answer forum questions several times daily for the first 7 days of each month.
- You’ll also benefit from discussions with all of the other students throughout the duration of the class.
For those of you who haven’t tried encaustic painting before the new web site even includes a free video on how to set up your own encaustic studio.
Can you help me spread the word?
Please forward this link to a friend or two who you think might be interested. I’ve announced this on FaceBook and Twitter recently too, so if you see those posts please “like” them or retweet. Many thanks…
In the last couple of months things have finally slowed down a little for me in the office, allowing me more time in the studio. It’s always an interesting balance between arranging the shows and actually creating work for them! In the new year I plan to teach fewer workshops so this trend can continue, so if you see a class you like take it while you can. One of the biggest benefits of this is time to consider what I’m painting and why, as well as time to experiment and play. And I think I’m on to something.
I’ve always had a strong connection to words and text in my work. It started maturing as full stories about my childhood in a loosely written text as you see below in my earlier digital work with “Knew You Could”. Yes, that’s me in my majorette uniform, determination etched on my face. My sister tells me I often show the same face today which probably got me where I am!
As my work changed, so did the text. Eventually my work had just a word here or there, or even just part of a word included in the work. There was a short time where there was no text at all, but it was always in my mind.
After a while I came to see that is was just the shapes of the individual letters I was interested in, and recently those have been sprinkled throughout my work (tiny gold letter on right side of the one below). For me the letters are a reminder that everything we say has an impact on those around us and that influence sticks around in one form or another. Once spoken, you can’t take words back. I visualize those words as breaking apart and falling to earth or floating on the wind where they become part of our history for better or worse.
In the painting above the letters are from stencils or handwritten script in the background (upper third, right and left), taking a back seat to the other imagery that became prominent in my work throughout the past year.
As the year comes to a close I’m finding the text is becoming more important to me again, but this time it’s an abstraction of the letter forms I’m interested in. It seems the look of the text is coming full circle visually, but the representation is the complete opposite. Instead of helping me preserve stories from my past these forms represent the stories that have been lost over time. Stories told too rarely become muddled and impossible to understand, lost to time.
I’m not sure exactly where this is all headed yet, but I’m excited to continue the journey. I encourage you to take a look at your own work and see if you have any patterns emerging that you might want to explore. Give yourself the gift of time and perspective to see what your muse is trying to tell you and you many have some wonderful surprises in store for the new year!
A couple of weeks ago I taught my first workshop internationally. I spent a week in Okanagan Falls, Canada teaching two encaustic workshops to 24 very enthusiastic women. We had fun! It was easily the best view I’ve ever had from a studio window, looking out on beautiful Skaha lake.
Normally I have lots of photos to post here from each workshop, but mine didn’t come out so well this time. Luckily my host, Thea Haubrich, from Twin Lakes Encaustic Art saved the day with her own excellent photos of the workshops. Thanks Thea! Thea and I have been long distance friends for years now, but this trip gave me a chance to get to know her and her husband much better and to finally visit their beautiful town.. It was a pleasure to teach in Canada and meet such a nice group of poeple.
Many of you have met my husband, Bill, on these teaching trips and might wonder what he does while I’m so busy. He put up a fun blog post about this trip here so I thought I’d share it. Talk about being in the right place at the right time! He always manages to find something interesting everywhere we go.
It’s hard to believe the Luminous Layers: Exploring Contemporary Encaustic exhibit is over already, after all those months of planning, but I’m happy to report that it was a great success! We had steady, enthusiastic crowds who were ready to buy art, so both artists and patrons left happy.
Here’s a video of the exhibit along with some photos below. The video is a little shaky at times since I hadn’t slept much the week prior, but it will give you a good flavor of the work in the show.
Our two featured artists illustrated the variety of ways in which the wax can be used for self expression. Jeff Schaller paints edgy pop inspired images that are provocative and whimsical, adding words and language to propel the viewer into scenes of seemingly unrelated subjects.
Cari Hernandez takes a different approach, where encaustic is the connective medium in her abstract, sculptural works which often rely on the use of shadow and light. For Hernandez, combining mediums such as wax, paper, resin and fiber serves as a way to explore themes of faith, courage, joy, and pleasure. I was pleased to also include an additional 60 talented artists who were either invited or juried into this comprehensive show. Look for video of the show to be added soon!
In keeping with the educational mission of the Lake Oswego Festival of the Arts, there was an extensive roster demonstrations throughout the event. Artists from across the United States shared their knowledge of encaustic, introducing this ancient art to a very appreciative audience.
We owe a big thanks to our demo sponsors, Muse Art + Design (who recently launched EncausticSupplies.com, R&F Handmade Paints and Enkaustikos! Wax Art. These companies are always generous supporters of the encaustic community, especially with educational events, and I can’t thank them enough for their support.
There were 167 works from 65 artists in the United States and Canada, including artists who were invited to participate and those who were juried into the show. Awards were presented in several categories:
As a special part of the show we enjoyed a panel discussion on “Why Wax? How Encaustic Informs Our Art,” featuring artists Jeff Schaller, Cari Hernandez, and Kanaan Kanaan with moderator Andrea Benson. They had a lively discussion on the challenges and unique qualities of working in encaustic, and why they are drawn to the medium.
As the show curator, I can confidently say that Luminous Layers achieved the goal we set out at the beginning — to show the wide variety of ways in which contemporary artists are using wax in their art today.
This show wouldn’t have happened if not for my very dedicated team who worked tirelessly to help me pull it all together: Kimberly Kent, Natasia Chan and Amy Stoner as well as numerous committee members from the Lake Oswego Festival including Lisa Strout, Marabee Bertelsen, Diane Englert and Andrew Edwards. Thank you everyone!
In November 2009 I had a big show of my encaustic paintings up at Guardino Gallery (2939 NE Alberta Street, Portland, Oregon). Below is a video tour from the opening reception to give you an idea of what it looked like.
If you enjoy it, please pass it on to your friends! The beautiful ceramic sculptures were created by Sara Swink.