I’ve just returned from yet another amazing trip to the Encaustic Conference, this time at a new location in Provincetown, Massachusetts. Conference Founder and Director Joanne Mattera outdid herself once again in terms of an exciting array of demos, lectures and events over the three days of the conference and the workshops immediately following.
This event attracts artists all over the world and this year there were 35 states in the US represented as well as artists traveling from Canada, England, Mexico, Brazil, Spain New Zealand. The conference was held in Provincetown this year which allowed for some changes to the format and new venues for post conference workshops. I think Joanne found an excellent partner in working with Truro Center for the Arts at Castle Hill and its Executive Director, Cherie Mittenthal, who was wonderful to work with.
Our first night in P-town was spent at the Lobster Pot with my very happy husband Bill, Mike and Kathryn from Enkaustikos, Kimberly and Judy, my buddies from Portland. This was a great restaurant, not to be missed! They even had a nice steak for me (I’m allergic to seafood). Other restaurants we really enjoyed were The Squealing Pig, Bubalas, and the Portuguese Bakery which had real Malasadas like I get in Hawaii! Our best find was a place called Moby Dick’s in Wellfleet, where Bill said he had the best smoked oysters ever.
We managed to fit is several outings to the surrounding areas and I’m so glad we took the time to do it. Provincetown has so much to offer!
This is the view from the top of the 252 foot tall Pilgrim Monument in the middle of town. The web site refers to the climb as a “heart-healthy walk to the top on 116 steps and 60 ramps,” which by the way is totally worth it.
We booked a dune tour which took us by the famous “dune shacks,” the simple beach cabins of numerous artists and writers during the past century. You can see one here in the upper left area of the photo. Below are cranberry bogs surrounded by sand dunes. It’s gorgeous out there!
Bill and I also treated ourselves to a sunset cruise on our last night, relaxing in the warm breeze. The Pilgrim Monument is way off in the distance.
On Friday night we made our way to the several openings at galleries that were showing encaustic work in conjunction with the conference. We visited the Kobalt Gallery (above), Ernden Fine Art, Bowersock Gallery and my favorite show, Surface Attraction curated by Joanne Mattera and Marla Rice of Rice/Polak Gallery (below).
Later we discovered the wonderful Galeria Cubana, which didn’t have encaustic work but did have some fine paintings we enjoyed very much. Nancy Natale has a nice wrap up of the gallery shows with lots of photos on her blog, so I won’t duplicate her excellent efforts.
The conference itself was excellent again this year, with so many wonderful events going by almost in a blur. I’m including some photos below to give you a flavor of the event, but you really have to attend to understand the importance of this conference to those of us who work in wax. I hope you’ll be able to go sometime.
This year I was on a panel called Mastering Media, a discussion about marketing the art we’re all working so hard to make. I spoke about getting my book, Embracing Encaustic, from and idea into reality and many of the successes and bumps along the way. The audience seemed to really like hearing about all the craziness that went on behind the scenes. My fellow panelists were (from left) Jeff Schaller, Nancy Natale, me, Cherie Mittenthal and moderator Joanne Mattera. Thanks to Corina Alvarezdelugo for allowing me to use her photo here.
This was our little posse for the weekend. Back: Kimberly Kent, Bill Womack. Front: me, Judy Wise and Jess Greene.
Lisa Pressman gave a wonderful lecture with a behind the scenes look at several encaustic studios.
Greg Wright had the crowd cheering for his demonstration of working with shellac, inks and powders to make patterned effects. “Do you want to go a few minutes more?” he asked…
Jackie Battenfield, author of the excellent book, The Artist’s Guide: How to Make a Living Doing What you Love, was our keynote speaker. She got the crowd all revved up and organized in thinking about what we should be thinking about next in our careers.
Here’s part of my work in the hotel fair, a new addition to the conference line up. I’ll bring more next time, now that I see how much we all love to shop!
David A. Clark went all out with new work just for the hotel fair and a true installation style. Brilliant! Lisa Pressman has more photos of her room, which includes a piece I bought from Marybeth Rothman. Can you guess which one it is? It will be included in my next post along with my other purchases.
POST CONFERENCE WORKSHOPS
There so much to do before, during and after a class, especially one that you travel to teach. Because of that many teachers will offer to assist a colleague on a pay it forward type of arrangement as I did this year.
I was the assistant for Charly Weissbach’s Mainly Metals class at Castle Hill during the post-conference workshops. Charyl taught her students how to work with most things metallic, from paint to powder, pigment sticks and even metal leaf. Charyl was the assistant for my friend Kimberly’s class last year (see below).
Kimberly Kent had an adventurous class again this year with plein air painting in encaustic. See the little camp stoves and torches they are using? It’s not for the faint of heart, but if you’re up for traveling with your wax it will allow you to paint directly from nature. And who is that little rascal in the cap? Yup, our own Joanne Mattera trying something new.
And that’s a wrap for this post on the 5th International Encaustic Conference. Nancy Natale and Lynette Haggard surprised Joanne with two huge cakes and a card signed by all to thank her for her efforts in making each conference so special. Nancy is pictured here with Cherie and Joanne on the right, wearing special hats for the occasion. Indeed, thank you Joanne!
View my posts from all 5 conferences here.